{"id":795,"date":"2014-09-25T17:50:37","date_gmt":"2014-09-25T17:50:37","guid":{"rendered":"http:\/\/www.nymagazin.com\/?p=795"},"modified":"2014-09-25T17:52:52","modified_gmt":"2014-09-25T17:52:52","slug":"grigore-l-culian-dialog-cu-ana-antonia-tudose-pianista-minune-din-romania-varsta-de-13-ani","status":"publish","type":"post","link":"http:\/\/www.nymagazin.com\/en_US\/grigore-l-culian-dialog-cu-ana-antonia-tudose-pianista-minune-din-romania-varsta-de-13-ani\/","title":{"rendered":"Grigore L. Culian \u00een dialog cu Ana Antonia Tudose, pianista-minune din Rom\u00e2nia \u00een v\u00e2rst\u0103 de 13 ani!"},"content":{"rendered":"<p><span style=\"color: #000000;\">S-a \u00eent\u00e2mplat vineri, 5 septembrie 2014, \u00een sala \u201eAuditorium\u201c a Institutului Cultural Rom\u00e2n din New York, unde doamna Doina Uricariu (directoarea Institutului) \u0219i echipa pe care o conduce au invitat Comunitatea Rom\u00e2neasc\u0103 la un recital de pian inedit, sus\u021binut de un copil-minune, invitat din Rom\u00e2nia, de 13 ani: Ana Antonia Tudose. Cu mul\u021bi ani \u00een urm\u0103, chiar \u00een acela\u0219i loc, o ascultasem pe regretata pianist\u0103 Mihaela Ursuleasa, plecat\u0103 s\u0103 le c\u00e2nte \u00eengerilor la numai 31 de ani! La acea vreme, Mihaela avea 15 ani \u0219i uimise deja lumea muzical\u0103 rom\u00e2neasc\u0103\u00a0 &#8211; \u0219i, ulterior, pe cea interna\u021bional\u0103 &#8211; cu talentul ei de excep\u021bie. Atunci am publicat un interviu cu pianista care avea s\u0103 devin\u0103 o vedet\u0103 mondial\u0103. Cu aceste g\u00e2nduri am plecat spre ICRNY \u00een seara zilei de 5 septembrie 2014. Ideea Doinei Uricariu de a promova tinerele valori rom\u00e2ne\u0219ti \u00een spa\u021biul cultural rom\u00e2no-american mi s-a p\u0103rut excelent\u0103, mai ales c\u0103 fosta conducere a Institutului o ignorase aproape total, aleg\u00e2nd s\u0103 cheltuiasc\u0103 banii publici pe kitch-uri care s\u0103 satisfac\u0103 o anumit\u0103 clientel\u0103 (mai ales politic\u0103!), \u00een detrimentul promov\u0103rii valorilor rom\u00e2ne\u0219ti.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0Recitalul de pian al Anei Antonia Tudose a fost extrem de dificil pentru un copil de numai 13 ani. Antonia a c\u00e2ntat piese ce necesitau o tehnic\u0103 perfect\u0103 \u0219i o interpretare pe m\u0103sura notoriet\u0103\u021bii autorilor lor: Mozart, Schumann, Paganini, Chopin, Mihail Jora, Paul Constantinescu, Mar\u021bian Negrea, Carl Filtsch. Dotat\u0103 cu un talent uria\u0219, sigur\u0103 pe ea, cu o maturitate ie\u0219it\u0103 din comun, Antonia a str\u0103lucit ca un diamant, \u021bin\u00e2nd cu respira\u021bia t\u0103iat\u0103 o audien\u021b\u0103 pe care a ridicat-o \u00een picioare la finalul unui adev\u0103rat regal de valoare \u0219i mare sensibilitate artistic\u0103 . \u201eAcest copil e o minune\u201c, mi-am zis, apoi am felicitat-o \u0219i am str\u00e2ns-o la piept ca pe un dar pre\u021bios, rug\u00e2nd-o s\u0103-mi acorde interviul de mai jos&#8230;<\/span><\/p>\n<p>Grigore. L. Culian: Antonia, te felicit pentru aceast\u0103 splendid\u0103 presta\u021bie \u0219i vreau s\u0103 te prezint rom\u00e2nilor din New York. Spune-mi ceva despre tine: cine te-a \u00eendrumat spre pian, la ce v\u00e2rst\u0103, care a fost prima ta profesoar\u0103, c\u00e2nd ai avut prima apari\u021bie public\u0103?<\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: M-am n\u0103scut pe 5 iunie 2001 la Ploie\u0219ti \u0219i sunt elev\u0103 \u00een clasa a VII-a la Liceul de Art\u0103 \u201eCarmen Sylva\u201c din ora\u0219. C\u00e2nd aveam 6 ani, p\u0103rin\u021bii m-au \u00eenscris la cursuri de dans, la Palatul Culturii, iar \u00eentr-o sal\u0103 al\u0103turat\u0103 se predau cursuri\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 de pian. M\u0103 opream foarte des \u0219i ascultam ce se \u00eent\u00e2mpla acolo, cu urechea lipit\u0103 de u\u0219\u0103, lucru care m-a convins c\u0103 sunt atras\u0103 de pian. Mama mi-a spus c\u0103 fascina\u021bia pe care\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0o are muzica asupra mea a sesizat-o \u00eenc\u0103 de c\u00e2nd aveam pu\u021bin peste un an \u0219i st\u0103team lini\u0219tit\u0103 \u00een premerg\u0103tor doar c\u00e2nd ascultam muzic\u0103. Iar c\u00e2nd deschidea televizorul pe\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 un post de muzic\u0103, \u00eencepusem s\u0103 recunosc anumite piese, ceea ce i-a ar\u0103tat mamei c\u0103\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 am memorie muzical\u0103. Pe la 4 ani, a \u00eenceput s\u0103 m\u0103 duc\u0103 la Filarmonic\u0103, unde a sesizat r\u0103bdarea cu care ascultam numai concertele de pian. Prima mea profesoar\u0103, pe care o am \u0219i \u00een prezent, este doamna Anca Florentina Borcea, o mare profesionist\u0103, e ca o doua mam\u0103 pentru mine. Prima dat\u0103 am c\u00e2ntat \u00een public la 7 ani. Era vorba despre c\u00e2teva piesuli\u021be din Manualul \u00eencep\u0103torului de Glover, iar mie mi se p\u0103rea c\u0103 nu am auzit nimic mai frumos \u00een via\u021ba mea.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: Care au fost primele concursuri de pian la care participat \u0219i ce rezultate ai ob\u021binut? Unde ai sus\u021binut concerte \u0219i ce orchestre te-au acompaniat?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: |n primii mei ani de studiu, am participat la numeroase concursuri na\u021bionale: Concursul \u201eMar\u021bian Negrea\u201c (edi\u021bia a XI-a, 2009, Premiul III; edi\u021bia a XII-a, 2011, Premiul I); Concursul na\u021bional de interpretare \u0219i crea\u021bie muzical\u0103 \u201ePaul Constantinescu\u201c (edi\u021bia a XV-a, Ploie\u0219ti, 2009, men\u021biune); Concursul \u201ePiano Art\u201c,\u00a0 (edi\u021bia 2010, Premiul I, edi\u021biile 2011, 2012, 2013, Premiul I de Excelen\u021b\u0103); Concursul na\u021bional de interpretare instrumental\u0103 \u201eMargareta Sterian\u201c, Buz\u0103u, Premiul I la edi\u021biile 2011 \u0219i 2013, Premiul II la edi\u021bia 2012); Concursul \u201eIonel Perlea\u201c, Slobozia, edi\u021bia 2011, Premiul I. \u00cen anul \u0219colar 2013-2014, care tocmai s-a \u00eencheiat, am ob\u021binut Marele\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Trofeu al Concursului na\u021bional de interpretare instrumental\u0103 \u201eMargareta Sterian\u201c, Buz\u0103u; Trofeul Concursului \u201eIonel\u00a0 Perlea\u201c, Slobozia, edi\u021bia 2014, dar \u0219i Marele Premiu al Concursului de interpretare pentru pian, \u201ePiano Art\u201c, Ploie\u0219ti, 2014. De asemenea,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 am ob\u021binut rezultate remarcabile la Olimpiadele \u0219colare de interpretare instrumental\u0103. Astfel, \u00een doi ani consecutiv, am ob\u021binut 100 de puncte la etapa zonal\u0103 a concursului,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 calific\u00e2ndu-m\u0103 la faza na\u021bional\u0103, unde a ob\u021binut men\u021biune (Timi\u0219oara, 2011) \u0219i Premiul III-lea (Ploie\u0219ti, 2012). \u00cen anul 2013 am ob\u021binut Premiul I la faza regional\u0103 a Olimpiadei instrumentale, desf\u0103\u0219urat\u0103 la Sibiu. \u00cen 2014 am c\u00e2\u0219tigat Premiul I, cu 100 de puncte,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 la faza zonal\u0103 a Olimpiadei, desf\u0103\u0219urat\u0103 la Odorheiul Secuiesc, iar la faza na\u021bional\u0103, desf\u0103\u0219urat\u0103 la Giurgiu, am ob\u021binut tot Premiul I, cu 100 de puncte. Pentru toate aceste rezultate, rod al unui efort sus\u021binut \u0219i permanent, at\u00e2t al elevului, c\u00e2t al profesorului,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 am fost premiat\u0103 de conducerea Liceului de Art\u0103 cu \u201eDiplom\u0103 de merit pentru rezultate deosebite\u201c, iar \u00een 2011, 2012, 2013, 2014 cu \u201cDiploma de excelen\u021b\u0103\u201c, de c\u0103tre Prim\u0103ria Ploie\u0219ti, \u00een anii 2011, 2012, 2014. De\u0219i sunt la o v\u00e2rst\u0103 fraged\u0103, am fost invitat\u0103 s\u0103 c\u00e2nt\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 sau s\u0103 sus\u021bin mici recitaluri pe scene din \u021bar\u0103: la Filarmonica din Ploie\u0219ti, Muzeul de Art\u0103 Ploie\u0219ti, Centrul cultural \u201eAurel Stroe\u201c din Bu\u0219teni, Cazinoul din\u00a0 Sinaia, Cercul Militar\u00a0 Bucure\u0219ti \u0219i \u00een galele concursurilor la care am ob\u021binut Premiul I. Fiind c\u00e2\u0219tig\u0103toarea Marelui Trofeu al Concursului \u201eMargareta Sterian\u201c, la edi\u021bia viitoare a acestei competi\u021bii voi sus\u021bine un recital \u00een Gala Laurea\u021bilor, care va \u00eenchide edi\u021bia 2015 a concursului.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pe 24 iunie 2014 am sus\u021binut un recital de muzic\u0103 \u0219i poezie, pe scena Filarmonicii din Ploie\u0219ti, \u00eempreun\u0103 cu violonista Raluca Maria Constantin \u0219i George Liviu Fr\u00e2ncu, actor la Teatrul\u00a0 \u201eToma Caragiu\u201c din Ploie\u0219ti. Dar cel mai important pas c\u0103tre ceea ce eu numesc\u00a0 \u201edestinul meu\u201c, adic\u0103 o carier\u0103 de pianist, a fost debutul meu \u00een activitatea concertistic\u0103.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Pe 5 decembrie 2013, \u00een stagiunea 2013-2014 a Filarmonicii din Ploie\u0219ti, am sus\u021binut\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0219i primul meu concert, respectiv Concertul nr. 8 KV 246 de Wolfgang Amadeus Mozart,\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 sub bagheta renumitului dirijor Ovidiu B\u0103lan.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: Cum ai ajuns s\u0103 c\u00e2n\u021bi pentru prima oar\u0103 \u00een America?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: {tiind c\u0103 vom face o excursie la New York \u0219i fiind fana\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lang Lang,\u00a0 le-am spus p\u0103rin\u021bilor c\u0103 a\u0219 fi fericit\u0103 s\u0103 c\u00e2nt \u00een acest ora\u0219. Ideea cu Institutul Cultural Rom\u00e2n a fost a mamei. Urm\u0103rim post\u0103rile pe Facebook\u00a0 ale doamnei directoare Doina Uricariu, care conduce ICR New York. Mama a scris o scrisoare de inten\u021bie la ICR Bucure\u0219ti, ca orice cet\u0103\u021bean, apoi, spre surprinderea mea \u0219i a p\u0103rin\u021bilor, a fost aprobat recitalul. Am fost cu foarte bucuro\u0219i c\u00e2nd am primit confirmarea. Cred c\u0103 pe cei de la ICR i-a convins \u0219i faptul c\u0103 mama a precizat, \u00een scrisoare, c\u0103 vom suporta toate cheltuielile de transport \u0219i cazare, dar foarte important pentru mine era s\u0103 c\u00e2nt \u00een America.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian:\u00a0 Unde \u021bi-ai dori s\u0103 studiezi \u00een continuare.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: Dup\u0103 ce am revenit \u00een \u021bar\u0103 de la New York, am v\u0103zut filmul \u201eIf I stay\u201c \u0219i \u00eemi doresc cu ardoare s\u0103 studiez la celebra \u0219coal\u0103 newyorkez\u0103 \u201eJuilliard\u201c. P\u00e2n\u0103 acum \u00eemi doream s\u0103 urmez Conservatorul din Cluj, dar mi-am anun\u021bat p\u0103rin\u021bii\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0c\u0103 vreau s\u0103 studiez \u00een America. |n ultima zi petrecut\u0103 la New York am vizitat \u201eJuilliard\u201c,\u00a0 de l\u00e2ng\u0103 \u201eLincoln Center\u201c. Am fost fascinat\u0103 de tot ce am v\u0103zut \u0219i mi-am zis c\u0103 acolo\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 studiaz\u0103 numai cei\u00a0 speciali. Poate crede\u021bi c\u0103 spun o copil\u0103rie, dar poate fi \u0219i un vis al meu, care sper s\u0103 devin\u0103 o realitate, dar \u0219tiu c\u0103 pentru asta va trebui s\u0103 muncesc mai mult.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: Care e programul t\u0103u zilnic (\u0219coal\u0103, studiu, timp liber)?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: 5-6 ore de \u0219coal\u0103, pr\u00e2nzul, o jum\u0103tate de or\u0103 de odihn\u0103, apoi lec\u021bii 2-3 ore \u0219i alte 3 ore de studiu la pian. De trei ori pe s\u0103pt\u0103m\u00e2n\u0103 m\u0103 \u00eent\u00e2lnesc dou\u0103 ore cu profa de pian. |n acele zile reduc timpul afectat lec\u021biilor sau studiului la pian. S\u00e2mb\u0103ta \u0219i duminica studiez \u00eentre 5 \u0219i 7 ore la pian, \u00een fiecare dintre cele dou\u0103 zile.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Timp liber? Se reduce la 2-3 ore, s\u00e2mb\u0103ta sau duminica. |n vacan\u021be studiez 4-5 ore pe zi.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: Cum reac\u021bionezi \u00een fa\u021ba perspectivei de a deveni celebr\u0103?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: Nu con\u0219tientizez perspectiva celebrit\u0103\u021bii. Sunt modest\u0103 \u0219i ne\u00eencrez\u0103toare. Nu din emotivitate, ci din perfec\u021bionism. Am tendin\u021ba s\u0103 nu fiu niciodat\u0103 mul\u021bumit\u0103 de mine \u0219i mama \u00eencearc\u0103 s\u0103-mi reprime asta, fiindc\u0103 i se pare distructiv.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: Ce \u00ee\u021bi place s\u0103 faci \u00een afar\u0103 de pian?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: |mi place s\u0103 citesc, s\u0103 \u00eenot \u0219i s\u0103 m\u0103 joc cu pinguinii mei.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 La New York am mai cump\u0103rat c\u00e2\u021biva pentru colec\u021bie. |mi mai place s\u0103 scriu un Jurnal.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: |n ce rela\u021bii e\u0219ti cu colegii de clas\u0103?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: Cu colegii mei de clas\u0103 m\u0103 comport ca orice copil normal.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Am simpatii \u0219i antipatii, ga\u0219c\u0103, prieteni din clasa I \u0219i unii chiar din gr\u0103dini\u021b\u0103.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: Care sunt arti\u0219tii (piani\u0219tii) t\u0103i prefera\u021bi. Dar compozitorii?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: Piani\u0219tii mei prefera\u021bi sunt C. Zacharias, V. Ashkenazy \u0219i Horowitz. Compozitori? Mozart, normal, Liszt, Chopin \u0219i Saint Saens.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: Cum \u00ee\u021bi alegi repertoriul?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: Repertoriul mi-l aleg \u00eempreun\u0103 cu doamna profesoar\u0103, dup\u0103 mai multe audi\u021bii. C\u00e2nd \u00eemi intr\u0103 \u00een cap o pies\u0103, nu m\u0103 las p\u00e2n\u0103 nu o conving pe doamna s\u0103 o lucr\u0103m.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: Dac\u0103 i-a\u0219 \u00eentreba pe p\u0103rin\u021bii t\u0103i c\u00e2t de greu (sau u\u0219or) e s\u0103 fii p\u0103rintele unui artist cu mari perspective, ce crezi c\u0103 mi-ar r\u0103spunde?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: Nu cred c\u0103 e prea u\u0219or s\u0103 fii p\u0103rintele unui copil ca mine. Mama spune c\u0103 e un privilegiu, pentru care \u00eei mul\u021bume\u0219te lui Dumnezeu \u00een fiecare zi.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 A renun\u021bat la multe din preocup\u0103rile personale pentru a m\u0103 sus\u021bine, la fel \u0219i tata, dar \u00eemi spun c\u0103 orice alt p\u0103rinte ar vrea s\u0103 fie \u00een locul lor. Am\u00e2ndoi sunt m\u00e2ndri de mine.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: Cum te-ai sim\u021bit la New York? Ce \u021bi s-a p\u0103rut interesant aici?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: La New York m-am sim\u021bit a\u0219a cum ne-am sim\u021bit to\u021bi trei,\u00a0 eu \u0219i p\u0103rin\u021bii mei, a fost ca \u00eentr-un vis frumos, dar cel mai mult m-a impresionat modul \u00een care publicul prezent la concert \u0219i-a ar\u0103tat aprecierea fa\u021b\u0103 de munca mea. To\u021bi au fost minuna\u021bi \u0219i le mul\u021bumesc din suflet. Nu m\u0103 a\u0219teptam la at\u00e2ta dragoste din partea lor.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: E\u0219ti preg\u0103tit\u0103 \u0219i pentru critici?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: Da, cred c\u0103 sunt preg\u0103tit\u0103, deoarece profesoara mea este foarte exigent\u0103, dar sunt \u00eenc\u0103 vulnerabil\u0103, probabil, din cauza v\u00e2rstei. Uneori criticile m\u0103 r\u0103nesc \u0219i devin nesigur\u0103. |n fa\u021ba unor critici ne\u00eentemeiate sau r\u0103u-voitoare, am tendin\u021ba de a m\u0103 consuma \u0219i a-mi reevalua presta\u021bia la pian prin prisma acelor critici.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian:\u00a0 Ce reac\u021bii au avut presta\u021biile tale \u00een presa din \u021bar\u0103?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: Reac\u021bii \u00een presa rom\u00e2neasc\u0103 au venit dec\u00e2t dup\u0103 recitalul de la New York, pe site-ul Cotidianul.ro, articol preluat de mai multe ziare. Au mai fost reac\u021bii \u00een trecut, dup\u0103 concertul cu Filarmonica sau dup\u0103 ce am c\u00e2\u0219tigat unele premii importante, dar numai \u00een presa local\u0103 prahovean\u0103. Cea na\u021bional\u0103 e prea ocupat\u0103&#8230;<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian:\u00a0 |\u021bi plac \u0219i alte genuri muzicale? Care sunt arti\u0219tii prefera\u021bi?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: Ca orice copil normal, ascult muzic\u0103 pop modern\u0103 \u0219i nu numai. Arti\u0219tii\u00a0 mei prefera\u021bi sunt Rhiana, Michael Jackson, Katy Perry \u0219i trupa Beatles.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian:\u00a0 Ai vreun mesaj de \u00eencheiere pentru rom\u00e2nii din America\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u0219i pentru cititorii ziarului \u201eNew York Magazin\u201c?<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Ana Antonia Tudose: Recitalul de la ICR New York a fost cea mai frumoas\u0103 sear\u0103 din via\u021ba mea. Publicul \u0219i-a ar\u0103tat aprecierea \u00eentr-un fel \u00een care nu mi s-a \u00eent\u00e2mplat \u00een Rom\u00e2nia \u0219i sper s\u0103 mai am ocazia s\u0103 vin aici \u0219i s\u0103 c\u00e2nt. Iar pe cititorii ziarului \u201eNew York Magazin\u201c \u00eei a\u0219tept la urm\u0103torul meu recital din New York, care sper c\u0103 va fi la anul.<\/span><\/p>\n<p><span style=\"color: #000000;\">\u00a0\u00a0 Grigore. L. Culian: Mul\u021bumesc, Antonia, \u00ee\u021bi doresc mult succes \u00een tot ceea ce faci \u0219i vreau s\u0103-\u021bi spun c\u0103 noi, rom\u00e2nii din America, ne m\u00e2ndrim cu tine.<\/span><\/p>\n<div id='gallery-1' class='gallery galleryid-795 gallery-columns-3 gallery-size-medium'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.nymagazin.com\/en_US\/grigore-l-culian-dialog-cu-ana-antonia-tudose-pianista-minune-din-romania-varsta-de-13-ani\/1940101_10204726111173195_990674586_n\/'><img width=\"300\" height=\"225\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/1940101_10204726111173195_990674586_n-300x225.jpg\" class=\"attachment-medium size-medium\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/1940101_10204726111173195_990674586_n-300x225.jpg 300w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/1940101_10204726111173195_990674586_n-700x525.jpg 700w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/1940101_10204726111173195_990674586_n.jpg 960w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.nymagazin.com\/en_US\/grigore-l-culian-dialog-cu-ana-antonia-tudose-pianista-minune-din-romania-varsta-de-13-ani\/10707964_10204726111253197_1011562084_n\/'><img width=\"300\" height=\"225\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/10707964_10204726111253197_1011562084_n-300x225.jpg\" class=\"attachment-medium size-medium\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/10707964_10204726111253197_1011562084_n-300x225.jpg 300w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/10707964_10204726111253197_1011562084_n-700x525.jpg 700w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/10707964_10204726111253197_1011562084_n.jpg 960w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='http:\/\/www.nymagazin.com\/en_US\/grigore-l-culian-dialog-cu-ana-antonia-tudose-pianista-minune-din-romania-varsta-de-13-ani\/10711632_10204726111133194_2097693747_n\/'><img width=\"300\" height=\"225\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/10711632_10204726111133194_2097693747_n-300x225.jpg\" class=\"attachment-medium size-medium\" alt=\"\" decoding=\"async\" loading=\"lazy\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/10711632_10204726111133194_2097693747_n-300x225.jpg 300w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/10711632_10204726111133194_2097693747_n-700x525.jpg 700w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2014\/09\/10711632_10204726111133194_2097693747_n.jpg 960w\" sizes=\"(max-width: 300px) 100vw, 300px\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n","protected":false},"excerpt":{"rendered":"<p>S-a \u00eent\u00e2mplat vineri, 5 septembrie 2014, \u00een sala \u201eAuditorium\u201c a Institutului Cultural Rom\u00e2n din New York, unde doamna Doina Uricariu (directoarea Institutului) <\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[29],"tags":[],"coauthors":[75],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4rsGx-cP","_links":{"self":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/795"}],"collection":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/comments?post=795"}],"version-history":[{"count":4,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/795\/revisions"}],"predecessor-version":[{"id":803,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/795\/revisions\/803"}],"wp:attachment":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/media?parent=795"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/categories?post=795"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/tags?post=795"},{"taxonomy":"author","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/coauthors?post=795"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}