{"id":3048,"date":"2019-08-25T14:51:42","date_gmt":"2019-08-25T14:51:42","guid":{"rendered":"http:\/\/www.nymagazin.com\/?p=3048"},"modified":"2019-08-25T14:55:59","modified_gmt":"2019-08-25T14:55:59","slug":"mihaela-farcas-poezie","status":"publish","type":"post","link":"http:\/\/www.nymagazin.com\/en_US\/mihaela-farcas-poezie\/","title":{"rendered":"Mihaela Farca\u0219\/Poezie"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3050\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/08\/17973623_1321205401298013_3970606414287666420_o-169x300.jpg\" alt=\"\" width=\"169\" height=\"300\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/08\/17973623_1321205401298013_3970606414287666420_o-169x300.jpg 169w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/08\/17973623_1321205401298013_3970606414287666420_o-576x1024.jpg 576w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/08\/17973623_1321205401298013_3970606414287666420_o-700x1244.jpg 700w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/08\/17973623_1321205401298013_3970606414287666420_o.jpg 720w\" sizes=\"(max-width: 169px) 100vw, 169px\" \/><\/p>\n<p><strong>Disociere<\/strong><\/p>\n<p>m\u0103 enerveaz\u0103 c\u0103 poezia nu e un animal de circ,<br \/>\nnu poate fi dresat\u0103<br \/>\nci explodeaz\u0103 ca un ciot de napalm<br \/>\n\u00een miezul zilei caniculare<br \/>\nc\u00e2nd Komunyakaa a\u0219tepta ca<br \/>\nscheletul bombei s\u0103-i tran\u0219eze min\u021bile<br \/>\n&amp; pic\u0103turi de s\u00e2nge s\u0103 se amestece cu unda de \u0219oc,<br \/>\ndeton\u00e2nd jungla sub soarele transversal<br \/>\npe hemoragia din centrul lumii.<br \/>\no combina\u021bie de acid lisergic<br \/>\n&amp; monoxid de carbon, copilul rebel<br \/>\nal literaturii \u00eenf\u0103\u0219urat pe un ac de sering\u0103<br \/>\nmenit s\u0103 lini\u0219teasc\u0103 o criz\u0103<br \/>\ncu efect de stroboscop &amp; oasele din urechea intern\u0103<br \/>\n\u00ee\u021bi c\u00e2nt\u0103 soloul din Comfortably Numb<br \/>\nale c\u0103rui note zboar\u0103 peste c\u00e2mpul de cenu\u0219\u0103.<\/p>\n<p><strong>M\u0103-ntorc la r\u0103d\u0103cini<\/strong><\/p>\n<p>soarele \u00eennegrit se tope\u0219te ca o bil\u0103 de plumb<br \/>\n\u00een balta \u00een care frunzele-\u0219i danseaz\u0103 moartea<br \/>\n&amp; eu sunt o por\u021bie de monoxid de carbon<br \/>\ninspirat\u0103 de pl\u0103m\u00e2nii mecanici<br \/>\nai timpului \u00eenfometat de contur.<br \/>\nstrig\u0103te penetreaz\u0103 corpul spasmodic,<br \/>\n\u00eentorc\u00e2ndu-se la r\u0103d\u0103cina plantei carnivore,<br \/>\n\u00eemi autodevorez mintea<br \/>\nca pe o imagine r\u0103sturnat\u0103 \u00een balansul bolilor,<br \/>\nmortalitatea insectelor ce populeaz\u0103 leag\u0103nul empatic<br \/>\n&amp; apa circul\u0103 prin calorifer<br \/>\ncu viteza zeului al c\u0103rui cap<br \/>\nse sfarm\u0103 ca un cocon de nisip.<br \/>\nhai s\u0103 facem dragoste<br \/>\n\u00een patul p\u0103tat de s\u00e2nge,<br \/>\nbecurile brodate s\u0103 ne-nf\u0103\u021bi\u0219eze<br \/>\nsl\u0103biciunea \u00een fa\u021ba mor\u021bii<br \/>\nca un s\u00e2n dual- Iisus &amp; Iuda,<br \/>\no s\u0103m\u00e2n\u021b\u0103 ce germineaz\u0103 \u00een doi pumni diferi\u021bi<br \/>\nde \u021b\u0103r\u00e2n\u0103, sunt eu,<br \/>\ncopilul, iubita cu p\u0103rul desf\u0103cut,<br \/>\nm\u0103 preling peste corpul t\u0103u transpirat<br \/>\n&amp; cu for\u021ba unui p\u0103ianjen<br \/>\nm\u0103 ag\u0103\u021b de p\u00e2nza luminoas\u0103<br \/>\ncare \u00eemi d\u0103 via\u021b\u0103 dar m\u0103 \u0219i consum\u0103<br \/>\n\u00eentr-un Dumnezeu paradoxal.<br \/>\nironic m\u0103 reconvertesc, m\u0103 agit<br \/>\n\u00een fa\u021ba absen\u021bei, seam\u0103n\u0103 cu un glob de sticl\u0103 mut,<br \/>\nrefuz\u00e2nd s\u0103 proiecteze<br \/>\nchipul mor\u021bii care graviteaz\u0103 constant<br \/>\ndeasupra min\u021bii mele fascinate de buc\u0103\u021bi.<\/p>\n<p>poezia nu face parte din carne<br \/>\nca un organ.<br \/>\nea este de sine st\u0103t\u0103toare,<br \/>\nnu e copilul meu<br \/>\nci o form\u0103 care se na\u0219te l\u00e2ng\u0103 mine.<br \/>\nochii mei se-nchid,<br \/>\ncheagul se sparge pe o foaie<br \/>\nalb\u0103 ca laptele din cana<br \/>\ncu trandafiri gri crescu\u021bi<br \/>\npeste oasele p\u0103m\u00e2ntului.<\/p>\n<p><strong>Happy b-day<\/strong><\/p>\n<p>vidul \u00eenchegat pe \u00eencheieturile mele,<br \/>\n\u00eenveli\u0219 de sticl\u0103 sub\u021bire.<br \/>\nte comemorez cu lum\u00e2n\u0103ri imaginare<br \/>\nplantate \u00een hipocamp-<br \/>\nmla\u0219tin\u0103 cu p\u0103s\u0103ri prinse \u00een m\u00e2l.<br \/>\nmi-am evaluat prost conturul,<br \/>\nnicotina acum nu m\u0103 prea ajut\u0103,<br \/>\ncreierul se consum\u0103 ca un monument de tutun,<br \/>\nsufletul la fel.<br \/>\nce s\u0103 mai fac dac\u0103<br \/>\nai aprins deja fitilul?<br \/>\ntrecutul s-a expandat \u00eenc\u0103 de-atunci<br \/>\niar viitorul a orbit \u00een sfera de sticl\u0103.<br \/>\nLa mul\u021bi ani!<\/p>\n<p><strong>Salteaua f\u0103r\u0103 cear\u0219af<\/strong><\/p>\n<p>m-am ag\u0103\u021bat de figura ta parental\u0103,<br \/>\ncol\u021boas\u0103, cu unghiuri at\u00e2t de ascu\u021bite<br \/>\n\u00eenc\u00e2t \u00eemi lezeaz\u0103 creierul, vaginul &amp; tot<br \/>\ndin care e compus\u0103 fiin\u021ba mea abandonat\u0103<br \/>\n\u00een obsesia ta fa\u021b\u0103 de singur\u0103tate &amp; sex.<br \/>\nm-ai ascuns printre sticlele de bere<br \/>\ndin barul t\u0103u preaiubit \u00een care la cinci diminea\u021ba<br \/>\nm\u0103 joc cu dorin\u021ba ta de distan\u021bare<br \/>\niar c\u00e2nd ajungem acas\u0103 m\u0103-mbrac \u00een maioul alb.<br \/>\ntu m\u0103 prive\u0219ti cu ochi obosi\u021bi, scur\u0219i de alcool<br \/>\n&amp; \u00eemi spui s\u0103 aprind becule\u021bele<br \/>\nca s\u0103 m\u0103 consumi pentru c\u0103 nu \u00een\u021belegi<br \/>\nde ce o asemenea femeie te-a ales tocmai pe tine.<br \/>\natunci eu \u00ee\u021bi tr\u00e2ntesc pe mas\u0103 teoriile lui Freud.<br \/>\nte iubesc f\u0103r\u0103 s\u0103 \u0219tiu de ce<br \/>\nde parc\u0103 firimiturile \u00eembinate cu sudoare<br \/>\naruncate pe salteaua f\u0103r\u0103 cear\u0219af<br \/>\n\u00eenseamn\u0103 o mare iubire<br \/>\nsau c\u0103 alienarea mea are formula fericirii \u00een cuplu.<br \/>\n\u0219tiu c\u0103 sunt pe jum\u0103tate copil<br \/>\ndar nu uita c\u0103 am dou\u0103 capete<br \/>\n&amp; uneori cred c\u0103 sunt o femeie frumoas\u0103<br \/>\ndar asta, paradoxal, te-a \u00eentors \u00eempotriva mea.<br \/>\neste periculos s\u0103-\u021bi folose\u0219ti corpul<br \/>\nca ultim magnet<\/p>\n<p>pentru a dezgropa iubirea<br \/>\n&amp; falsa str\u0103lucire apune ca o minge de sulf.<\/p>\n<p><strong>Faustian<\/strong><\/p>\n<p>\u201c<em>Moloch in whom I sit lonely.\u201d (Howl- A. Ginsberg<\/em>)<\/p>\n<p>m\u0103 rog la zeul disocierii<br \/>\ns\u0103-mi dea o palm\u0103 peste fa\u021b\u0103<br \/>\nca s\u0103 pot scrie<br \/>\n&amp; circuitele amigdaliene s\u0103 se descarce<br \/>\n\u00eentr-o poezie ca un panou solar.<br \/>\ns\u00e2mb\u0103t\u0103, 6 diminea\u021ba,<br \/>\nnu vreau s\u0103 trag draperiile,<br \/>\nlumea este un loc str\u0103in<br \/>\n\u00een care m\u0103 joc cu fr\u00e2nturi de lumin\u0103<br \/>\n&amp; imagina\u021bie roas\u0103 de \u0219obolanul incon\u0219tientului,<br \/>\ncu\u0219ca de care s-a lipit insecta<br \/>\ndevenind una, fiin\u021b\u0103 de beton<br \/>\ncu ochi forja\u021bi de colosul prezent<br \/>\n\u00een capul meu, pe care \u00eel mai adorm<br \/>\ns\u00e2mb\u0103t\u0103 noaptea c\u00e2nd venele<br \/>\nse transform\u0103 \u00een tuburi de lumin\u0103<br \/>\n&amp; solzii mei cad de pe inima ghimpat\u0103-<br \/>\nun Iisus ce-\u0219i smulge p\u0103rul<br \/>\ncu ambele m\u00e2ini g\u0103urite<br \/>\nc\u00e2nd adulmec\u0103 pa\u0219ii mizeriei<br \/>\npe f\u00e2\u0219ia existen\u021bei umane,<br \/>\ndezam\u0103girea c\u00e2nd ai impresia<br \/>\nc\u0103 via\u021ba \u00eemparte experien\u021ba ca o prism\u0103<br \/>\ndar tu te situezi la extreme<br \/>\n&amp; mintea ta e ochiul mecanic<br \/>\nal g\u00e2ndacului ce \u00eencearc\u0103<br \/>\ns\u0103 ias\u0103 din chiuveta<br \/>\nplin\u0103 de vase &amp; cotidianul<br \/>\nte cople\u0219e\u0219te ca o p\u0103tur\u0103 murdar\u0103<br \/>\npe care ai fi vrut s\u0103 na\u0219ti,<br \/>\ns\u0103 te na\u0219ti \u00eentr-un glob cu un bec<br \/>\nbrodat \u00een cuptorul cald<br \/>\n\u00een care se coc pl\u0103cinte<br \/>\nnu mai multe selfuri<br \/>\ndin cauza inconstan\u021bei celor doi ochi<br \/>\nforma\u021bi \u00een tiparul binelui &amp; r\u0103ului,<br \/>\nf\u0103r\u0103 grade sau nuan\u021be<br \/>\nca becule\u021bele gri de deasupra tabloului.<br \/>\ncai negri \u00een galop ce nu se duc<br \/>\nde fapt nic\u0103ieri la fel ca emo\u021biile<br \/>\n\u00eentoarse tot \u00een floarea de carne-<br \/>\nac\u021bioneaz\u0103 ca o matc\u0103 pentru proprii copii<br \/>\nentuziasma\u021bi de auto-devorare<br \/>\nca de un act erotic \u00een\u0103l\u021b\u0103tor<br \/>\n\u00een degradarea constant\u0103,<br \/>\nfalsa matrice imaginat\u0103 de la zece ani<br \/>\n&amp; de\u0219irarea ghemului ro\u0219u pentru o p\u0103tur\u0103 de nimic<br \/>\nau fost doi pumni de \u021b\u0103r\u00e2n\u0103<br \/>\n\u00een care vreau \u0219i nu vreau s\u0103 m\u0103-ntorc.<br \/>\nam renun\u021bat la c\u0103utare,<br \/>\nm-am oprit la starea de fapt,<br \/>\nmomentul, \u00eengerul care fuge<br \/>\nde \u00eembr\u0103\u021bi\u0219area titanului rupt<br \/>\nde realitatea m\u0103cinat\u0103,<br \/>\nn\u0103scut\u0103 din absurd<br \/>\ndar \u00eensetat\u0103 de concret.<\/p>\n<p>poezia este \u00eembinarea celor dou\u0103 lumi,<br \/>\nmintea mea poate exista \u00een glandele ei mamare<br \/>\n&amp; poate fi dureroas\u0103 ca o pustul\u0103<br \/>\nsau m\u0103rea\u021b\u0103 ca un orgasm.<\/p>\n<p><strong>Saudade<\/strong><\/p>\n<p>mintea mea se-ntinde ca o gum\u0103<br \/>\n\u00een gu\u0219a unui porumbel,<br \/>\no unghie \u00eencarnat\u0103 \u00een creier<br \/>\nsem\u0103n\u00e2nd cu un glock<br \/>\n\u00een g\u00e2tul unei prostituate.<br \/>\ndup\u0103 ce o s\u0103 facem sex<br \/>\no s\u0103-\u021bi povestesc despre boal\u0103<br \/>\n&amp; mai multe selfuri.<br \/>\n\u00eenc\u0103rc\u0103torul nu se mai destinde.<br \/>\npe strad\u0103 mergeau oamenii de c\u0103rbune<br \/>\nprin raza mortal\u0103 a s\u0103r\u0103ciei.<br \/>\nferici\u021bi cei s\u0103raci cu duhul!<br \/>\nfemeile cu ochii mari ce-\u0219i leag\u0103n\u0103 pruncii<br \/>\nf\u0103r\u00e2mi\u021ba\u021bi de un viitor instabil<br \/>\noscil\u00e2nd \u00eentre har &amp; nebunia<br \/>\nzilelor petrecute \u00een mizeria<br \/>\npuricilor de pe plasm\u0103.<br \/>\nm\u0103 arunc \u00een cad\u0103<br \/>\nca \u00eentr-un gheizer ce m\u0103 va<br \/>\nproiecta p\u00e2n\u0103 la soarele<br \/>\nde forma unui uter mai gelatinos<br \/>\ndec\u00e2t jeleul \u00een form\u0103 de ursule\u021bi.<br \/>\nmirosul oaselor muribunde<br \/>\nm\u0103 pietrific\u0103 \u00een golul<br \/>\nbecule\u021belor de Cr\u0103ciun<br \/>\nce sclipesc precum gloan\u021bele<br \/>\nde pe \u021beav\u0103 urm\u0103rind<br \/>\nacel sentiment preauman<br \/>\nde maternintate &amp; dor<br \/>\nca o piatr\u0103 \u00een pantof.<\/p>\n<p><strong>C-PTSD<\/strong><\/p>\n<p>scrisul s-a n\u0103scut ca ultim mecanism de ap\u0103rare<br \/>\nce m\u0103-nso\u021be\u0219te prin jungla mental\u0103<br \/>\n&amp; lianele se transform\u0103 \u00een tije de o\u021bel,<br \/>\narterele ora\u0219ului construit pe baza schemei disociative.<br \/>\naici nimic nu este con\u0219tient<br \/>\n&amp; cea\u021ba ademene\u0219te circuitele neuronale.<br \/>\nnu r\u0103m\u00e2ne dec\u00e2t instinctul ca o statuie<br \/>\ncu pielea m\u0103cinat\u0103 de realitatea distopic\u0103<br \/>\nproiect\u00e2nd non-stop cercul absurdului.<br \/>\npoezia este o lam\u0103 cu dou\u0103 t\u0103i\u0219uri-<br \/>\ncele dou\u0103 fe\u021be ale zeului spun aceea\u0219i poveste:<br \/>\nomul va urma \u00eentotdeauna calea eliber\u0103rii<br \/>\ndar cartu\u0219ul se va umple constant cu gloan\u021be<br \/>\niar branula va penetra infinit pielea<br \/>\np\u00e2n\u0103 c\u00e2nd morfina \u00ee\u0219i va fr\u00e2nge aripile.<br \/>\nmi-a\u0219 dori s\u0103 m\u0103 \u201etratez\u201d de cuv\u00e2nt<br \/>\ndoar c\u0103 piatra a fost deja cusut\u0103 pe coloana mea<br \/>\n&amp; c\u00e2nd literele vor \u00eenceta s\u0103-mi curg\u0103 din degete<br \/>\n\u00eenseamn\u0103 c\u0103 m\u0103 voi fi vindecat.<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"aligncenter size-medium wp-image-3050\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/08\/17973623_1321205401298013_3970606414287666420_o-169x300.jpg\" alt=\"\" width=\"169\" height=\"300\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/08\/17973623_1321205401298013_3970606414287666420_o-169x300.jpg 169w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/08\/17973623_1321205401298013_3970606414287666420_o-576x1024.jpg 576w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/08\/17973623_1321205401298013_3970606414287666420_o-700x1244.jpg 700w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/08\/17973623_1321205401298013_3970606414287666420_o.jpg 720w\" sizes=\"(max-width: 169px) 100vw, 169px\" \/><\/p>\n<p><strong>Disociere<\/strong><\/p>\n<p>m\u0103 enerveaz\u0103 &#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5,30,44,47],"tags":[],"coauthors":[75],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4rsGx-Na","_links":{"self":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/3048"}],"collection":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/comments?post=3048"}],"version-history":[{"count":2,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/3048\/revisions"}],"predecessor-version":[{"id":3052,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/3048\/revisions\/3052"}],"wp:attachment":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/media?parent=3048"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/categories?post=3048"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/tags?post=3048"},{"taxonomy":"author","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/coauthors?post=3048"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}