{"id":2896,"date":"2019-06-22T01:49:39","date_gmt":"2019-06-22T01:49:39","guid":{"rendered":"http:\/\/www.nymagazin.com\/?p=2896"},"modified":"2019-06-22T01:49:39","modified_gmt":"2019-06-22T01:49:39","slug":"ioana-vintila-poezie","status":"publish","type":"post","link":"http:\/\/www.nymagazin.com\/en_US\/ioana-vintila-poezie\/","title":{"rendered":"Ioana Vintil\u0103\/Poezie"},"content":{"rendered":"<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone wp-image-2897\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/06\/62441149_2369982963290877_7486012694235971584_n.jpg\" alt=\"\" width=\"470\" height=\"627\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/06\/62441149_2369982963290877_7486012694235971584_n.jpg 720w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/06\/62441149_2369982963290877_7486012694235971584_n-225x300.jpg 225w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/06\/62441149_2369982963290877_7486012694235971584_n-700x933.jpg 700w\" sizes=\"(max-width: 470px) 100vw, 470px\" \/><\/p>\n<p><strong>limba-mam\u0103<\/strong><\/p>\n<p>am v\u0103zut str\u0103zile acoperite de transpira\u021bie scuipa\u021bi<br \/>\nb\u0103l\u021bi de s\u00e2nge pi\u0219at<br \/>\nam v\u0103zut oameni care c\u0103lcau \u00een toate astea<br \/>\nam v\u0103zut invalizi care urlau c\u0103-i doare membrul care nu mai e acolo<br \/>\nam v\u0103zut copii care st\u00e2rneau mici furtuni de nisip pe plaj\u0103<br \/>\n&amp; cel mai slab dintre ei cu acnee &amp; ochelari cu lentile de -5 \u00eentotdeauna nimerea \u00een ochiul furtunii<\/p>\n<p>acel ochi m-a v\u0103zut pe mine<\/p>\n<p>:: mam\u0103 a coloanei str\u00e2mbe<br \/>\n&amp; a membrelor amor\u021bite<br \/>\n:: mam\u0103 a scoicilor \u00een care se aude marea<br \/>\n:: mam\u0103 a rinichilor de alcoolici<br \/>\n:: mam\u0103 a iubirilor care-\u021bi r\u0103m\u00e2n blocate \u00een g\u00e2t toat\u0103 via\u021ba<br \/>\n:: mam\u0103 a lui Cort\u00e1zar &amp; a Alejandrei Pizarnik<br \/>\n:: mam\u0103 a pl\u00e2nsului adolescentin<br \/>\n:: mam\u0103 a porcilor care-\u0219i violeaz\u0103 iubitele &amp; apoi fumeaz\u0103 lucky strike<br \/>\n:: mam\u0103 a animalelor mici \u00eemp\u0103iate<br \/>\n(\u00eemp\u0103iate cu at\u00e2ta<br \/>\ndragoste)<\/p>\n<p>:: mam\u0103 a prafului care ustur\u0103 ochii<br \/>\n&amp; mama conversa\u021biilor nocturne<\/p>\n<p>sunt mama cu o limb\u0103 de piatr\u0103<br \/>\nsub care cresc licheni<\/p>\n<p>&amp; tot ce am v\u0103zut e al t\u0103u<\/p>\n<p><strong>copac de plastic<\/strong><\/p>\n<p>vreau ca boala asta s\u0103 fie a unui copil indian<br \/>\nsau nepalez<br \/>\nconsiderat\u0103 un dar de la zei<br \/>\ncu spatele rupt s\u0103 fiu \u00eenconjurat\u0103 de b\u0103tr\u00e2ni<br \/>\ncare-mi cer sfatul<br \/>\ndespre recolte \u0219i probleme conjugale<br \/>\ncu spatele imobilizat de scoar\u021ba unui copac de plastic<br \/>\ns\u0103 m\u0103 \u00eenconjoare ni\u0219te inimi bune<br \/>\n&amp; ni\u0219te m\u00e2ini curate<br \/>\ncare s\u0103-mi arate o f\u00e2nt\u00e2n\u0103<br \/>\nde unde pot s\u0103 beau ap\u0103<\/p>\n<p><strong>salt<\/strong><\/p>\n<p><em>nu mai sc\u0103p\u0103m de data asta<\/em><\/p>\n<p>nu ne-a mai fost niciodat\u0103 at\u00e2t de cald<br \/>\no c\u0103ldur\u0103 care te stoarce ca pe un inginer<br \/>\nce lucreaz\u0103 \u00een dou\u0103 schimburi<br \/>\npe un post subcalificat<br \/>\n\u0219i care seara str\u0103bate pia\u021ba la proteste<br \/>\no c\u0103ldur\u0103 ca un avion de h\u00e2rtie \u00eentr-un nor de gaze<br \/>\no c\u0103ldur\u0103 ca un poem spus de un afazic<\/p>\n<p><em>nu mai sc\u0103p\u0103m de data asta<\/em><\/p>\n<p><strong>20<\/strong><\/p>\n<p><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0pentru virginitatea Santei Clara &amp; s\u0103racele tinere din San Damiano<\/em><\/p>\n<p>am ajuns \u00een locul \u00een care c\u0103p\u0103\u021b\u00e2nile sunt camere aproape perfect izolate fonic<br \/>\n&amp; se aud doar b\u0103t\u0103ile inimii<\/p>\n<p>h\u0103r\u021bile s-au apropiat<br \/>\n&amp; insectele au acoperit ochiul<br \/>\ncalul a nechezat<br \/>\n&amp; respira\u021bia lui a \u00eenc\u0103lzit puii<\/p>\n<p>nu exist\u0103 diferen\u021be \u00eentre iubirea noastr\u0103 \u0219i pansamentul \u0103sta: suturile nu sunt drepte<br \/>\n&amp; de-aici ar putea veni fericirea<br \/>\nar putea veni o tornad\u0103 care spal\u0103 vocile r\u0103gu\u0219ite<br \/>\n\u0219i con\u0219tiin\u021ba<br \/>\nmai ales con\u0219tiin\u021ba<br \/>\no limb\u0103-gigant care linge p\u0103m\u00e2ntul<br \/>\n&amp; el r\u0103m\u00e2ne tot acolo<br \/>\nfixat pe lama transparent\u0103 din vizorul explozibililor<\/p>\n<p>sc\u00e2rb\u0103 \u0219i glorie pentru acela\u0219i cli\u0219eu<br \/>\nun destin m\u0103re\u021b \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 o moarte ridicol\u0103<\/p>\n<p>sunt vaza de lut care se \u00eenv\u00e2\u00e2\u00e2rte<\/p>\n<p>pierd material<\/p>\n<p>formele mele devin des\u0103v\u00e2r\u0219ite cu fiecare atingere<\/p>\n<p>sunt femeia de lut<br \/>\n&amp; niciun baston de jandarm nu m\u0103 poate sparge<\/p>\n<p>\u00eenc\u0103 sunt femeia de lut<br \/>\n&amp; pe formele mele se preling m\u00e2inile tale<\/p>\n<p>alunec\u0103<\/p>\n<p>palmele se murd\u0103resc<\/p>\n<p>&amp; alunec\u0103<\/p>\n<p>&amp; se murd\u0103resc<\/p>\n<p>&amp; ce r\u0103m\u00e2ne \u00een urma unei meduze \u00eencol\u0103cite de picioarele noastre<br \/>\nasta e tot ce r\u0103m\u00e2ne<br \/>\nun lichid indefinibil<br \/>\n\u00een ora\u0219ul santa clara a\u0219a i-ai spus prima oar\u0103<br \/>\nnu e\u0219ti o sf\u00e2nt\u0103 \u0219i nici ora\u0219ul \u0103sta nu e<br \/>\nc\u00e2inii lui au \u00eengropat ad\u00e2nc p\u0103r\u021bi din tine<br \/>\n\u0219tiu c\u0103 nu e\u0219ti santa clara de fapt<br \/>\ndar universul \u0103sta are ni\u0219te constela\u021bii cu broderii<br \/>\ncare se \u00eenf\u0103\u0219oar\u0103 \u00een jurul g\u00e2tului nostru, santa clara<br \/>\ne bine aici<br \/>\na\u0219a cum ai spus c\u0103 va fi<br \/>\n\u00eentr-un puzzle cu holuri lungi \u0219i \u00eentunecate<br \/>\n\u021binute curate-curate<br \/>\nprecum luciditatea noastr\u0103, santa clara<br \/>\nluciditate pe care se t\u00e2r\u0103sc lan\u021burile<br \/>\nd\u00e2rele astea de m\u00e2zg\u0103 ne m\u00e2njesc fa\u021ba<br \/>\ndar \u00eentr-o zi mar\u0219ul \u0103sta va fi cel care<br \/>\nne va cur\u0103\u021ba fa\u021ba<br \/>\n\u00eenc\u00e2t<br \/>\nfe\u021bele noastre vor fi noile tran\u0219ee<br \/>\nelemente virgine pe care cioturile se a\u0219az\u0103<\/p>\n<p>&amp;<\/p>\n<p>tran\u0219eele sunt mai curate ca oric\u00e2nd, santa clara<br \/>\nde parc\u0103 numele t\u0103u<br \/>\ne exodul pe care-l a\u0219tept\u0103m cu to\u021bii<\/p>\n<p>***<br \/>\n<em>Ioana Vintil\u0103 s-a n\u0103scut \u00een Sibiu, \u00een 1997. Studiaz\u0103 inginerie \u0219tiin\u021bific\u0103 \u2013 biotehnologie \u00een cadrul Universit\u0103\u021bii Babe\u0219-Bolyai din Cluj-Napoca. \u00cen 2016 a ob\u021binut premiul II la concursul PEN International New Voices Award. Este prezent\u0103 \u00een antologia Tu, \u00eenainte de toate (Editura Paralela 45, 2018). \u00cen 2018 a debutat cu volumul P\u0103s\u0103ri \u00een furtuna de nisip, manuscrisul c\u00e2\u0219tig\u0103tor al concursului de debut organizat de Casa de Editur\u0103 Max Blecher, volum care a fost nominalizat la Gala Tinerilor Scriitori, Premiul Na\u021bional de Poezie Mihai Eminescu Opera Prima \u0219i Premiile Observator Cultural.&#8217;<\/em><\/p>\n<p>***<\/p>\n<p>selec\u021bie realizat\u0103 de NIG\/Nu\u021ba Istrate Gangan-Florida<\/p>\n","protected":false},"excerpt":{"rendered":"<p>&nbsp;<\/p>\n<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-2897\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/06\/62441149_2369982963290877_7486012694235971584_n.jpg\" alt=\"\" width=\"470\" height=\"627\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/06\/62441149_2369982963290877_7486012694235971584_n.jpg 720w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/06\/62441149_2369982963290877_7486012694235971584_n-225x300.jpg 225w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2019\/06\/62441149_2369982963290877_7486012694235971584_n-700x933.jpg 700w\" sizes=\"(max-width: 470px) 100vw, 470px\" \/><\/p>\n<p><strong>limba-mam\u0103<\/strong><\/p>\n<p>am v\u0103zut str\u0103zile acope&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[30,28,47],"tags":[],"coauthors":[75],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4rsGx-KI","_links":{"self":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2896"}],"collection":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/comments?post=2896"}],"version-history":[{"count":2,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2896\/revisions"}],"predecessor-version":[{"id":2919,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2896\/revisions\/2919"}],"wp:attachment":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/media?parent=2896"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/categories?post=2896"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/tags?post=2896"},{"taxonomy":"author","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/coauthors?post=2896"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}