{"id":2526,"date":"2018-06-10T02:40:39","date_gmt":"2018-06-10T02:40:39","guid":{"rendered":"http:\/\/www.nymagazin.com\/?p=2526"},"modified":"2018-06-10T02:40:39","modified_gmt":"2018-06-10T02:40:39","slug":"daniela-birzu-poezie","status":"publish","type":"post","link":"http:\/\/www.nymagazin.com\/en_US\/daniela-birzu-poezie\/","title":{"rendered":"Daniela B\u00eerzu\/Poezie"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-2527\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n.jpg\" alt=\"\" width=\"266\" height=\"266\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n.jpg 327w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-150x150.jpg 150w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-300x300.jpg 300w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-326x327.jpg 326w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-210x210.jpg 210w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-32x32.jpg 32w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-50x50.jpg 50w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-64x64.jpg 64w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-96x96.jpg 96w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-128x128.jpg 128w\" sizes=\"(max-width: 266px) 100vw, 266px\" \/><\/p>\n<p><strong># Dystopic<\/strong><\/p>\n<p>&amp;<\/p>\n<p>0.8 mg de nicotin\u0103<br \/>\n\u00een iarna aceasta at\u00e2t de lung\u0103<br \/>\nca un tren \u00eencetinind \u00eentre g\u0103rile pustii<\/p>\n<p>de fiecare dat\u0103 cand ascul\u021bi \/ no life , no cry \/<\/p>\n<p>\u00een spa\u021biile vag aeriste \/ uria\u0219ele spa\u021bii ale descompuneririi repetate<br \/>\nale fiin\u021belor mici<\/p>\n<p>chiar acum sub unghii nu este carne<br \/>\nsunt alte organisme care se \u00eenfrupt\u0103 ca \u0219i tine din necunoscut<\/p>\n<p>mg de t\u0103cere \u00een fiecare diminea\u021b\u0103<br \/>\nc\u00e2nd soarele sparge barieara de la cel\u0103lalt cap\u0103t al p\u0103m\u00e2ntului<br \/>\n\u0219i mu\u0219c\u0103 din geamuri ca dintr-un cadavru abia stins<\/p>\n<p>cerul sunt: p\u0103s\u0103rile, norii \u0219i lunga mea respiratie \u00een aerul rarefiat al neputin\u021bei<\/p>\n<p>miligrame de team\u0103 cu care to\u021bi oamenii se hr\u0103nesc<\/p>\n<p>pet-uri care a\u0219teapt\u0103 s\u0103 fie reciclate<br \/>\nmizerie \u00eenfipt\u0103 \u00een drumurile cele mai frumoase ( c\u00e2nd te ridici &amp; nu mai \u0219tii<\/p>\n<p>ce moment al zilei este)<\/p>\n<p>dar nici nu mai conteaz\u0103 \/ orbirea se petrece treptat<br \/>\nc\u00e2nd fumul se lipe\u0219te de retin\u0103<\/p>\n<p>\u0219i \u00ee\u021bi asigur\u0103 protec\u021bie<br \/>\nau spus s\u0103 nu ucidem nimic, c\u00e2ndva<\/p>\n<p>dar te ui\u021bi pe fereastr\u0103 de undeva de sus<br \/>\nvezi toate insectele care vor s\u0103 supravie\u021buiasc\u0103<\/p>\n<p>\u00eenca 0.8. mg. de nicotin\u0103 \u00een corpul t\u0103u nesfin\u021bit \/ pentru c\u0103 \u0219tii<\/p>\n<p>asta e imposibil.<br \/>\n_____________<\/p>\n<p>&amp;<\/p>\n<p>o izbire de o ma\u0219in\u0103 \u0219i totul devine real.<br \/>\noase \u00eempr\u0103\u0219tiate, ora\u0219ul carnivor \u00eenghi\u021bindu-ne.<br \/>\nnu e nimic de v\u0103zut aici. obsesii aciuate<br \/>\nla col\u021buri de strad\u0103 ca ni\u0219te cer\u0219etori<br \/>\ndec\u0103zu\u021bi.<\/p>\n<p>\u00een ora\u0219ul ca un imens catafalc<br \/>\n\u00een care roiuri \u0219i roiuri de oameni<br \/>\nse ascund<br \/>\n\u00ee\u0219i ascund temerile \u00een m\u0103tasea lui vibrant\u0103 \u0219i cald\u0103.<\/p>\n<p>pornesc de aici. de la g\u00e2t \u00een jos<br \/>\nnumai singur\u0103tate.<br \/>\n\u0219i soarele privindu-m\u0103 ca un ochi de jaguar<br \/>\nprin geamul cr\u0103pat<br \/>\nmutil\u00e2ndu-mi lini\u0219tea: e\u0219ti ceea ce vezi: o moarte violent\u0103 \u0219i scurt\u0103 \u00een loc<br \/>\nde una lent\u0103 \u0219i frumoas\u0103. un dans al p\u0103s\u0103rii de foc<br \/>\n\u00eenaintea noastr\u0103, ca un spectacol funebru, cu gra\u021bie.<\/p>\n<p>___________________<\/p>\n<p>&amp;<\/p>\n<p>da, noaptea \u00eentre inima noastr\u0103 \u0219i inima neagr\u0103 a ora\u0219ului<br \/>\ncontinu\u0103 s\u0103 se fac\u0103 un nod str\u00e2ns<br \/>\npe care<br \/>\nnimeni nu-l poate desface.<br \/>\ndoar aerul absorbind zgomotele p\u0103durii cu animalele lui mici<br \/>\n\u0219i zburdalnice,<br \/>\ndoar corzile care se \u00eentind peste ora\u0219ul anemic \u0219i sclipitor<\/p>\n<p>ne fac s\u0103 respir\u0103m<br \/>\n&amp;<br \/>\nnimic nu se schimb\u0103,<br \/>\nnici trupul, nici str\u0103zile, nici carnea acesta f\u0103cut\u0103 s\u0103<br \/>\ntresar\u0103 la orice amintire sau vis,<br \/>\nla orice \u00eempu\u0219c\u0103tur\u0103 care se aude de departe,<br \/>\nla orice trecere a trenului prin v\u0103ile frumoase &amp; toxice ale<br \/>\ninimilor noastre<\/p>\n<p>p\u00e2n\u0103 ce ele se unesc \u0219i pe acolo or s\u0103 treac\u0103<br \/>\nal\u021bi copii ca noi, \u00een drum spre \u0219coal\u0103 sau spre serviciu \/ c\u0103ut\u00e2ndu-se pe ei \u00een\u0219i\u0219i<br \/>\nzile \u00een \u0219ir. nop\u021bi \u0219i ani lungi. \u00een \u0219ir.<\/p>\n<p>_________________<\/p>\n<p>&amp;<br \/>\nsoarele de prim\u0103var\u0103<br \/>\nne devoreaz\u0103 p\u00e2n\u0103 la oase<br \/>\nne arunc\u0103m pieile ca pe ni\u0219te haine murdare<br \/>\ne ziua \u00een care p\u0103s\u0103rile se \u00eentorc acas\u0103<br \/>\ne ziua \u00een care intr\u0103m \u00een noi cu \u0219enilele unui tanc<br \/>\nne uit\u0103m pe cer \u0219i vedem flori &amp; avioane<br \/>\nc\u0103z\u00e2nd<br \/>\nintr\u00e2nd<br \/>\n\u00een stratosfer\u0103 apoi \u00een<br \/>\nnoi ca \u00eentr-un nor pufos<br \/>\npe care<br \/>\ns\u00e2ngele nostru \u00eel umple \/ astfel evad\u0103m \u00een lumea real\u0103<br \/>\ncu trupurile din ce \u00een ce mai abstracte<br \/>\n&amp; mai u\u0219oare cu 21 de grame<\/p>\n<p>_____________<\/p>\n<p>&amp;<\/p>\n<p>o lumin\u0103 care s\u0103 disece totul<br \/>\nca un bisturiu p\u00e2n\u0103 la oase.<\/p>\n<p>avem luciditatea unui doctor care scoate o inim\u0103.<br \/>\nbypass.<br \/>\ntreceri dintr-o parte \u00een alta<br \/>\np\u00e2n\u0103 la regenerarea tesuturilor.<\/p>\n<p>apoi moarte clinic\u0103.<\/p>\n<p>\u00een aceast\u0103 lume unde re\u021bele de cabluri ne<br \/>\n\u00eenf\u0103\u0219oar\u0103 mersul.<\/p>\n<p>magazine str\u0103lucitoare. str\u0103zi str\u0103lucitoare.<br \/>\ndureri str\u0103lucitoare.<\/p>\n<p>soarele e un coctail molotov.<br \/>\nz\u0103pada o aglomerare de vise albe.<\/p>\n<p>inimile stau<br \/>\n\u00eenf\u0103\u0219urate pe rezisten\u021be electrice.<br \/>\nstr\u0103zile lungi pulseaz\u0103 precum anemonele.<br \/>\nr\u0103m\u00e2nem sub cerul dezvelit ca sub o p\u0103tur\u0103 moale<br \/>\n&amp;<br \/>\nnimic nu ne alung\u0103 frica.<br \/>\niar soarele se face din ce \u00een ce mai ro\u0219u.<br \/>\np\u00e2n\u0103 c\u00e2nd r\u0103uri de s\u00e2nge curg lini\u0219tite.<\/p>\n<p>________________<\/p>\n<p>&amp;<br \/>\nsuntem \u00een\u0103untru \u0219i focul arde viu<br \/>\n\u00eentre panouri de sticl\u0103 fumurie<\/p>\n<p>de aici vedem ma\u0219iniile viitorului<br \/>\n\u00eenregistr\u00e2ndu-ne fiecare mi\u0219care<br \/>\ne cald &amp; c\u00e2nd ne str\u00e2ngem de m\u00e2n\u0103<\/p>\n<p>apare o linie sub\u021bire care tremur\u0103 ca la poligraf<\/p>\n<p>c\u00e2nd p\u0103m\u00e2ntul se cutremur\u0103<br \/>\nlu\u0103m cartea cu desene din copil\u0103rie<br \/>\ndespre p\u0103m\u00e2ntul acesta fragil<br \/>\n\u0219i o b\u0103g\u0103m \u00eentr-un<br \/>\nghiozdan pe care cineva l-a l\u0103sat pentru noi<\/p>\n<p>pe ecranul ma\u0219inii viitorului apare o linie \u00een form\u0103 de inim\u0103.<br \/>\napoi puls necontrolat &amp; linia sub\u021bire care nu se mai sf\u00e2r\u0219e\u0219te.<\/p>\n<p>____________<\/p>\n<p>&amp;<br \/>\nn-o s\u0103 spun nimic daca voi c\u0103dea \u00eentr-o mlastin\u0103 cu aburi otravitori,<br \/>\neventual voi scoate o m\u00e2n\u0103 afar\u0103, dou\u0103 &amp; voalul de cea\u021b\u0103 mi<br \/>\nse va prinde g\u00e2t ca un la\u021b.<br \/>\nc\u00e2nd<br \/>\naerul se \u00eempr\u0103\u0219tie ca un diavol \u00een jurul meu<br \/>\n\u00ee\u021bi<br \/>\njur<br \/>\npace \u021bie<\/p>\n<p>st\u0103p\u00e2ne, cu acelasi drag cu care \u00eemi \u00eempart m\u0103ncarea copiilor<br \/>\ncu aceea\u0219i nevoie de libertate pe care mi-o d\u0103<\/p>\n<p>un drum \u00eenafara ora\u0219ului \u00eentr-o noapte \u00eenstelat\u0103<br \/>\n\u0219i o lun\u0103 care de departe<br \/>\npare c\u0103 vrea s\u0103 m\u0103 sf\u00e2\u0219ie &amp; s\u0103 m\u0103-nghit\u0103,<br \/>\n\u0219i eu uite, z\u00e2mbesc \u00een camer\u0103, \u00een unghiul ei mort \u0219i m\u0103 las absorbit\u0103.<\/p>\n<p>_____________<\/p>\n<p>&amp;<\/p>\n<p>\u00een c\u0103m\u0103\u0219i de for\u021b\u0103<br \/>\npe marginea unui pat de spital, pe ferestre<br \/>\nvedem cum ambulantele vin \u0219i pleac\u0103.<\/p>\n<p>e iarn\u0103 si garoul acesta ne str\u00e2nge din ce \u00een ce \u00een mai tare.<br \/>\nprin tuburi sub\u021biri ne evacu\u0103m toata teama<\/p>\n<p>&amp; dragostea. repet\u0103m: aceasta e pl\u0103cerea.<\/p>\n<p>s\u0103 fim detinu\u021bii care a\u0219teapt\u0103 m\u00e2ncarea \u00eenc\u0103 o zi \u0219i \u00eenc\u0103 o zi<br \/>\np\u00e2n\u0103 ne vom s\u0103tura inimile.<\/p>\n<p>la ie\u0219ire le vom arunca \u00een borcane de sticl\u0103<br \/>\n\u0219i vom scrie pe ele:<\/p>\n<p>nesiguran\u021b\u0103.<br \/>\n&amp;<br \/>\nfric\u0103<br \/>\n&amp;<br \/>\ncolaps.<\/p>\n<p>apoi vom pleca pe str\u0103zi cu perfuziile \u00een vene pline cu lichide<br \/>\nalbe la fel ca z\u0103pada.<br \/>\n_______________<\/p>\n<p>&amp;<\/p>\n<p>cre\u0219tere de serotonin\u0103<br \/>\nsoarele abia n\u0103scut<br \/>\nlumea \u00een facere<br \/>\nscoruri apgar sc\u0103zute<br \/>\nstr\u0103zi abia des\u021belenite<br \/>\nsateli\u021bii lui google maps<br \/>\nasta e ceea ce ne \u00eenconjoar\u0103<br \/>\npe o por\u021biune de p\u0103dure defri\u0219at\u0103<\/p>\n<p>\u00een mijlocul verii \/ o lucid\u0103 transformare care nu verific\u0103<br \/>\nnicio lege \/ oamenii \u00ee\u0219i scriu ultimele dorin\u021be<br \/>\npe buc\u0103\u021bi de piele \/ a\u0219a cum le-ar rosti pe paturile de moarte<\/p>\n<p>dar nimeni nu va muri \/ ne vom prinde unul cu altul de m\u00e2ini<br \/>\nvom \u00eenghi\u021bi Pastilele fericirii<br \/>\ncare vor exploda \u00een bur\u021bile noastre \/ acesta fiind ultimul<br \/>\nexperiment la care vom fi supu\u0219i<br \/>\n\u00eenainte de a ni se da drumul \u00een libertate<\/p>\n<p>precum animalelor s\u0103lbatice<\/p>\n<p>at\u00e2t \u0219i sc\u00e2nteierea apelor \u00een amurg<br \/>\npe c\u00e2mpiile defri\u0219ate<br \/>\npe str\u0103zile abia des\u021belenite<br \/>\nla lumina telefoanelor mobile<\/p>\n<p>\u0219i a celorlate ecrane albastre de pe care suntem urm\u0103ri\u021bi \/ zi \u0219i noapte<br \/>\nat\u00e2t \u0219i sc\u00e2nteierea stelelor \u00een noapte \/ din care suntem f\u0103cu\u021bi.<\/p>\n<p>_________________<\/p>\n<p>&amp;<br \/>\ndroguri de prim\u0103var\u0103<br \/>\npe care le \u00eenghi\u021bim:<\/p>\n<p>soarele, florile, z\u0103pada care \u00eenc\u0103 nu s-a scurs<br \/>\nde pe de stre\u0219inile caselor<\/p>\n<p>o placent\u0103 ne \u021bine vii ca pe ni\u0219te coconi.<br \/>\navort\u0103m teama c\u0103 m\u00e2ine<\/p>\n<p>str\u0103zile vor \u00eenghe\u021ba \u00eenc\u0103 o dat\u0103 si odat\u0103 cu ele<\/p>\n<p>corpurile nostre se vor \u00eengropa \u00een nelini\u0219ti si z\u0103pada chimic\u0103<br \/>\nca ni\u0219te ghiocei l\u0103sa\u021bi s\u0103 creasc\u0103 \u00een \u00eentuneric.<\/p>\n<p>p\u00e2n\u0103 c\u00e2nd lumina ne va cuceri<br \/>\no lumin\u0103 nociv\u0103<br \/>\n\u0219i str\u0103lucitoare<br \/>\n&amp;<br \/>\no s\u0103 \u00eenghi\u021bim aburii mor\u021bii la fiecare col\u021b de camer\u0103.<br \/>\no camer\u0103 din care suntem incapabili sa evad\u0103m<br \/>\no camer\u0103 plin\u0103 de insecte d\u0103un\u0103toare<br \/>\npe care zi de zi \u00eencerc\u0103m s\u0103 le strivim.<\/p>\n<p>_________________<\/p>\n<p>&amp;<\/p>\n<p>pe toate dealurile, lichidele grele<br \/>\ncurg \u00een aval.<br \/>\nnicotin\u0103 \u0219i p\u0103cur\u0103 desprins\u0103 din acoperi\u0219urile blocurilor.<br \/>\nne intr\u0103<br \/>\nmai departe \u00een piele.<\/p>\n<p>spre poarta de la ie\u0219irea orasului e lini\u0219te.<br \/>\nea func\u021bioneaz\u0103 ca un sas. \u00eentr-o parte<br \/>\np\u0103durea cu animale s\u0103lbatice,<br \/>\nterenurile revendicate de corpora\u021bii<br \/>\n\u00eentinz\u00e2ndu-se p\u00e2n\u0103 la orizont,<\/p>\n<p>\u00een cealalt\u0103, vidul, dragostea.<br \/>\n\/<br \/>\n\u00eentr-o parte for\u021ba care accelereaz\u0103 stelele<br \/>\nenergia \u00eentunecat\u0103 care ne face s\u0103<br \/>\nrupem randurile,<\/p>\n<p>\u00een cealalt\u0103,<br \/>\nnoi \u0219i ora\u0219ul \u00een efect de algosedare<br \/>\nprimind doze din ce \u00een ce mai mari de<br \/>\nsingur\u0103tate.<br \/>\n_______________<\/p>\n<p>&amp;<\/p>\n<p>cerul \u00een fa\u0219e de tifon ca un fetus cu<br \/>\nochii \u00eenchi\u0219i \/ sub el c\u00e2mpiile verzi<br \/>\npe care ne-am construit casele<\/p>\n<p>\u00een \u0219iruri paralele<br \/>\nla fel ca s\u0103ge\u021bile otr\u0103vite, g\u00e2ndurile noastre<\/p>\n<p>str\u0103lucesc \u00een micile sclipiri ale asfaltului \/ diminea\u021ba<\/p>\n<p>ne adun\u0103m \u00een fata caselor<br \/>\n\u00een c\u0103m\u0103\u0219ile de noapte sp\u0103late \u0219i apretate<\/p>\n<p>ne e dor de o singur\u0103 cas\u0103<br \/>\n\u00een care mamele noastre preg\u0103teau pr\u0103jituri \u0219i gemuri<\/p>\n<p>dar aceast\u0103 cas\u0103 nu mai exist\u0103 \/ \u00eenchidem \u0219i noi ochii<br \/>\nprecum copiii nen\u0103scu\u021bi \u00een placent\u0103<br \/>\n\u0219i \u0219tim.<br \/>\nde cate ori astept\u0103m s\u0103 r\u0103sar\u0103 soarele, vom prinde via\u021b\u0103 din nou,<br \/>\nunii lipsi\u021bi de picioare, al\u021bii de m\u00e2ini, unii de inim\u0103,<\/p>\n<p>p\u00e2n\u0103 la sosirea zorilor ne povestim fiecare &#8211; trauma<br \/>\n\u0219i frica \u00eencepe sa apar\u0103, se \u00eenf\u0103\u0219oar\u0103 ca un firicel de ap\u0103 sub\u021bire<br \/>\nchiar \u0219i \u00een cei mai puternici,<br \/>\ncei care desf\u0103\u0219oar\u0103 fa\u0219ele de tifon, le cur\u0103\u021b\u0103 si le spal\u0103, zi de zi \/ pentru noi.<br \/>\n________________<\/p>\n<p>&amp;<\/p>\n<p>e ora la care ar trebui s\u0103 ne trezim<br \/>\nacas\u0103 &amp; o facem<\/p>\n<p>ne imagin\u0103m c\u0103 lumea este casa noastr\u0103<br \/>\np\u0103r\u0103sit\u0103\/ d\u0103r\u0103p\u0103nat\u0103 \/ \u00een care fotografii amatori<br \/>\n\u00ee\u0219i fac filmele industrial style<\/p>\n<p>am l\u0103sat \u0219i un pian vechi acolo pe care se a\u0219eaz\u0103 vr\u0103biile<\/p>\n<p>iar noi de aici de departe develop\u0103m filmele &amp; ne vedem pe noi<br \/>\nni\u0219te fantome printre ziduri furmoase \u0219i vechi<\/p>\n<p>a\u0219tept\u00e2nd s\u0103 ne \u00eentoarcem &amp; seara, ne mai uit\u0103m o dat\u0103 la cer<br \/>\nf\u0103r\u0103 s\u0103 \u0219tim de ce o facem, \u00een timp ce \u0219oseaua lung\u0103 \u0219i<br \/>\numed\u0103, ca un bra\u021b \u00eentins \u00eenspre<br \/>\nsoare, dispare.<br \/>\n_______________<\/p>\n<p>&amp;<\/p>\n<p>rotoarele s-au oprit. cele care se \u00eenv\u00e2rt \u00eenc\u0103<br \/>\nalimenteaz\u0103 cu energie<br \/>\nsoarele, ma\u0219inile de gunoi \u0219i str\u0103zile.<\/p>\n<p>ne refugiem \u00een camerele noastre albe \u0219i negre<br \/>\nca \u00een ni\u0219te camere obscure<br \/>\nunde ne developam amintirile<br \/>\n&amp;<br \/>\ntriste\u021bile<br \/>\n&amp;<br \/>\nfricile.<\/p>\n<p>fotografii pe care le vom at\u00e2rna pe s\u00e2rme<br \/>\ns\u0103 se usuce. c\u00e2nd zgomotele din interior<br \/>\nse opresc \/ auzim prim\u0103vara.<br \/>\nzgomot de flori \u0219i mizerie \u00eentinz\u00e2ndu-se pe asfalturi.<\/p>\n<p>zgomot de rotor care ne pune din nou<br \/>\n\u00een mi\u0219care inimile de silicon.<br \/>\n__________________<\/p>\n<p>&amp;<\/p>\n<p>o \u00eenchisoare fragil\u0103 \u0219i frumoas\u0103<br \/>\naceast\u0103 cas\u0103. clopo\u021beii sun\u0103<br \/>\nc\u00e2nd bate vantul. frigul a \u00eenghe\u021bat<br \/>\ncear\u0219afurile albe de pe s\u00e2rme. la televizor<br \/>\ndoi patinatori gra\u021bio\u0219i execut\u0103 mi\u0219c\u0103ri acrobate.<br \/>\ndar unde suntem noi aici?<br \/>\np\u0103\u0219im pe covoarele moi ca printr-o z\u0103pad\u0103 acid\u0103<br \/>\nsera cu inductoare de somn adormim \u00eembr\u0103\u021bi\u0219a\u021bi<br \/>\nca dou\u0103 stele apropiate<br \/>\ndevorandu-\u0219i una alteia s\u00e2ngele.<br \/>\n\u0219i din aceast\u0103 hemofilie se na\u0219te dragostea noastr\u0103.<\/p>\n<p>____________<\/p>\n<p>&amp;<\/p>\n<p>r\u0103ni acoperindu-se unele pe altele<br \/>\nprecum valurile de cea\u021b\u0103 din p\u0103durile nordului.<br \/>\nc\u0103r\u0103rile sunt vii acoperite cu mu\u0219chi cu<br \/>\ncerbi \u0219i c\u0103prioare \u00eempu\u0219cate. \u00een ochii lor<br \/>\nsticle\u0219te p\u0103durea. o singur\u0103 mi\u0219care, o singur\u0103 pal\u0103 de v\u00e2nt<br \/>\n\u0219i vom c\u0103dea din picioare secera\u021bi de gloan\u021be.<br \/>\ndar a\u0219a se \u00eent\u00e2mpl\u0103 zilnic,<br \/>\nc\u00e2nd mergem pe str\u0103zile ora\u0219ului \u0219i ma\u0219inile<br \/>\nne sorteaz\u0103 \/ eticheteaz\u0103\/ r\u0103nesc.<\/p>\n<p>de aceea prefer\u0103m drumurile prin p\u0103dure\/<\/p>\n<p>unde teama are frunzele ro\u0219ii<br \/>\n\u0219i o putem observa de departe.<br \/>\naici nu exista fric\u0103\/ exist\u0103 enclave ale fricii<br \/>\nunde fiecare \u00ee\u0219i arat\u0103 m\u00e2inile inscrip\u021bionate<br \/>\ncu un simbol. noi suntem ochi de caprioar\u0103.<br \/>\nc\u00e2nd suntem singuri ne uit\u0103m la inscrip\u021bia de pe piele<br \/>\n\u0219i e ca \u0219i cum<br \/>\n\u0219tim cine suntem.<\/p>\n<p>____________<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-2527\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n.jpg\" alt=\"\" width=\"266\" height=\"266\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n.jpg 327w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-150x150.jpg 150w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-300x300.jpg 300w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-326x327.jpg 326w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-210x210.jpg 210w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-32x32.jpg 32w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-50x50.jpg 50w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-64x64.jpg 64w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-96x96.jpg 96w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/06\/24900238_1537974129617590_4598729238542348867_n-128x128.jpg 128w\" sizes=\"(max-width: 266px) 100vw, 266px\" \/><\/p>\n<p><strong># Dystopic<\/strong><\/p>\n<p>&amp;<\/p>\n<p>0.8 mg de nicotin\u0103<br \/>\n\u00een i&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[1],"tags":[],"coauthors":[75],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4rsGx-EK","_links":{"self":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2526"}],"collection":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/comments?post=2526"}],"version-history":[{"count":1,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2526\/revisions"}],"predecessor-version":[{"id":2528,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2526\/revisions\/2528"}],"wp:attachment":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/media?parent=2526"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/categories?post=2526"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/tags?post=2526"},{"taxonomy":"author","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/coauthors?post=2526"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}