{"id":2504,"date":"2018-05-01T11:51:14","date_gmt":"2018-05-01T11:51:14","guid":{"rendered":"http:\/\/www.nymagazin.com\/?p=2504"},"modified":"2018-05-01T11:51:14","modified_gmt":"2018-05-01T11:51:14","slug":"cristian-lisandru-poezie","status":"publish","type":"post","link":"http:\/\/www.nymagazin.com\/en_US\/cristian-lisandru-poezie\/","title":{"rendered":"Cristian Lisandru\/Poezie"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-2503\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n.jpg\" alt=\"\" width=\"224\" height=\"224\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n.jpg 546w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-150x150.jpg 150w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-300x300.jpg 300w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-210x210.jpg 210w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-32x32.jpg 32w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-50x50.jpg 50w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-64x64.jpg 64w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-96x96.jpg 96w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-128x128.jpg 128w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/p>\n<p><strong>atunci c\u00e2nd se adun\u0103 poe\u0163ii \u00een camera noastr\u0103<\/strong><\/p>\n<p>las\u0103-te despletit\u0103<br \/>\nca pentru o t\u00e2nguire<br \/>\neu te voi piept\u0103na \u00eendelung<br \/>\ncu degete tremur\u00e2nde<br \/>\n\u00ee\u0163i miroase trupul a veste bun\u0103<br \/>\nadus\u0103 de c\u0103l\u0103re\u0163i ap\u0103ru\u0163i de sub poala p\u0103durii<\/p>\n<p>pe dealurile decojite ard focuri mari<br \/>\nt\u00e2lcuim semnale misterioase<br \/>\nla lumina din noi<br \/>\nnumai dumnezeu pl\u00e2nge<br \/>\nmoc\u0103ne\u015fte<br \/>\napoi scrie cuvinte dulci<br \/>\n\u00een ochii \u00eence\u0163o\u015fa\u0163i ai ferestrelor<\/p>\n<p>nucul b\u0103tr\u00e2n \u00ee\u015fi vait\u0103 \u00eensingurarea<br \/>\nla doi pa\u015fi de dragostea noastr\u0103<br \/>\neu r\u00e2d<br \/>\ncitesc din to\u0163i poe\u0163ii<br \/>\nfiecare r\u00e2nd \u00eei re\u00eenvie<br \/>\n\u00een camera aceasta<\/p>\n<p><strong>promisiune<\/strong><\/p>\n<p>frunze smulse din noi<br \/>\nuna c\u00e2te una<br \/>\ntr\u0103im aceast\u0103 despuiere autumnal\u0103<br \/>\ncu pofta \u00eendr\u0103gosti\u0163ilor care abandoneaz\u0103 complexele<br \/>\nla marginea patului<br \/>\n\u00een timp ce ultimele p\u0103s\u0103ri c\u0103l\u0103toare refuz\u0103 exodul<br \/>\n\u015fi \u00ee\u015fi fac cuib \u00een carnea noastr\u0103<br \/>\nla iarn\u0103 \u00ee\u0163i voi acoperi trupul<br \/>\ncu m\u00e2ng\u00e2ieri albe<br \/>\napoi te voi plimba printre obsesii vremelnice<br \/>\n\u00eentr-o sanie de sticl\u0103<\/p>\n<p><strong>morning<\/strong><\/p>\n<p>uneori<br \/>\ndimine\u021bile sunt mai complicate dec\u00e2t par<br \/>\nmy love<br \/>\ndar azi<br \/>\npentru prima oar\u0103<br \/>\nnu mai fac cur\u0103\u021benie<br \/>\ndup\u0103 moartea de ieri<br \/>\n\u00een definitiv<br \/>\nr\u0103m\u00e2nem datori cu o rena\u0219tere<br \/>\nde fiecare dat\u0103<\/p>\n<p><strong>picnic<\/strong><\/p>\n<p>erau zile c\u00e2nd pleca<br \/>\npe drumuri nev\u0103zute<br \/>\nel \u0219i o umbrel\u0103 neagr\u0103<br \/>\ncare \u00eel ferea de g\u00e2ndurile altora<br \/>\nar fi putut s\u0103 scrie<br \/>\ndespre toate c\u0103l\u0103toriile acelea<br \/>\ndespre g\u00e2nduri str\u0103ine insistente<br \/>\nca o ploaie nepoftit\u0103<br \/>\nsau despre un loc unde se oprea c\u00e2teodat\u0103<br \/>\ndoar pentru a medita netulburat<br \/>\nla picnicul fra\u021bilor struga\u021bki<br \/>\nda<br \/>\npicnicul acela<br \/>\nde la marginea unui drum stelar<br \/>\nunde fiecare pas putea fi \u0219i ultimul<br \/>\niar via\u021ba nu \u00eensemna dec\u00e2t ni\u0219te litere<br \/>\n\u0219i at\u00e2t<\/p>\n<p><strong>\u00eendep\u0103rtare<\/strong><\/p>\n<p>pove\u0219tile nu \u00eencep \u00eentotdeauna<br \/>\ncu a fost odat\u0103 ca niciodat\u0103<br \/>\nspunea ea<br \/>\n\u00eendep\u0103rt\u00e2ndu-se<br \/>\nprivirea mea i-a alunecat de pe umeri<br \/>\nsem\u0103na<br \/>\n&#8211; abia acum \u00eemi dau seama &#8211;<br \/>\ncu un personaj<br \/>\nevadat dintre ramele unui tablou<br \/>\nv\u00e2ndut \u00een t\u00e2rg de un pictor nefericit<br \/>\nplutea<br \/>\ncuprins\u0103 de ce\u021buri<br \/>\nca o diminea\u021b\u0103 prea scurt\u0103<\/p>\n<p><strong>fantasm\u0103<\/strong><\/p>\n<p>nu e niciun secret<br \/>\nm\u0103 viziteaz\u0103 o fantom\u0103<br \/>\n\u00een fiecare noapte<br \/>\nvorbim despre lumi paralele<br \/>\n\u00eel ascult\u0103m pe dylan<br \/>\nnu v\u0103 mira\u021bi<br \/>\nbem c\u00e2te un coniac<br \/>\n\u00eenvechit corespunz\u0103tor<\/p>\n<p>m\u0103 tulbur\u0103 iremediabil zorii ace\u015ftia<br \/>\nse t\u00e2r\u0103sc pe sub fereastr\u0103<br \/>\nca \u015fi cum s-ar teme<br \/>\nde vorbele mele<br \/>\nascu\u021bite<\/p>\n<p>dylan c\u00e2nt\u0103 despre lumi mai bune<br \/>\npe repeat<\/p>\n<p><strong>ne vom iubi<\/strong><\/p>\n<p>azi ne vom iubi<br \/>\ncu disperarea unor condamna\u021bi la via\u021b\u0103<br \/>\nsub trupurile noastre \u00eencinse<br \/>\nvom strivi<br \/>\nf\u0103r\u0103 mil\u0103<br \/>\ntoate cuvintele<\/p>\n<p>azi ne vom iubi<br \/>\n\u00eentr-o lini\u0219te de moarte<br \/>\npoate c\u0103 a\u0219a a fost la \u00eenceputul acestei lumi<br \/>\nun el \u0219i o ea<br \/>\nne\u00een\u021beleg\u00e2nd ce li se \u00eent\u00e2mpl\u0103<br \/>\natunci c\u00e2nd via\u021ba se n\u0103\u0219tea din ei<br \/>\nf\u0103r\u0103 aprobarea lui dumnezeu<\/p>\n<p>azi ne vom iubi<br \/>\ndeparte de buletinele de \u0219tiri<br \/>\nnici nu vom afla cum s-a pus sechestru pe fericire<br \/>\npentru ca edilii unui eden modern<br \/>\ns\u0103-\u0219i poat\u0103 recupera prejudiciul de imagine<\/p>\n<p><strong>\u0219opte\u0219te-mi<\/strong><\/p>\n<p>\u0219opte\u0219te-mi c\u0103 toate obsesiile lumii<br \/>\nnu sunt dec\u00e2t nimicuri frumos ambalate<br \/>\n\u00een noaptea aceasta vreau s\u0103 sf\u00e2\u0219ii \u00eentunericul<br \/>\ncu palmele tale<\/p>\n<p>nu departe de noi<br \/>\ncineva construie\u0219te un gard<br \/>\ntotul depinde de care parte a gardului te afli<br \/>\nnu po\u021bi s\u0103 intri<br \/>\nnu po\u021bi ie\u0219i<br \/>\nstarea de bine e relativ\u0103<br \/>\niar un popor migrator ne bate la u\u0219\u0103<br \/>\npentru a face \u0219i noi parte din statistici<\/p>\n<p>\u0219opte\u0219te-mi c\u0103 toate obsesiile lumii<br \/>\nnu sunt dec\u00e2t nimicuri frumos ambalate<br \/>\nuite cum plou\u0103 cu frunze<\/p>\n<p>nu vrei s\u0103 ne refugiem dincolo de toate acestea<br \/>\n\u00eentr-un suflet comun<br \/>\nnecartografiat?<\/p>\n<p><strong>absurd<\/strong><\/p>\n<p>cu acest tren al liniilor moarte<br \/>\nam putea c\u0103l\u0103tori<br \/>\nc\u0103tre fa\u021ba nev\u0103zut\u0103 a astrului nocturn<\/p>\n<p>a\u015fa spunea<br \/>\n&#8211; la casa de bilete &#8211;<br \/>\nun individ taciturn<br \/>\npredispus \u00eenseratelor excese<br \/>\nale imagina\u021biei<\/p>\n<p>dar tot acest efort discutabil al crea\u021biei<br \/>\np\u0103lea<br \/>\n(precum o inutil\u0103 \u00eent\u00e2mplare)<br \/>\natunci c\u00e2nd luna<br \/>\nignor\u00e2nd iluziile turistice<br \/>\nse pr\u0103bu\u015fea<br \/>\n\u00een mare<\/p>\n<p><strong>drumul<\/strong><\/p>\n<p>drumul nu ducea nic\u0103ieri<br \/>\nceea ce contrazicea p\u0103rerea general\u0103<br \/>\nconform c\u0103reia<br \/>\ntoate drumurile duc undeva<br \/>\n(unii afirm\u0103 r\u0103spicat la Roma<br \/>\nf\u0103r\u0103 a \u00eencerca s\u0103 verifice afirma\u021bia<br \/>\ncu propriile picioare)<\/p>\n<p>pe de alt\u0103 parte<br \/>\ndrumul nu venea de niciunde<br \/>\niat\u0103 o alt\u0103 incertitudine trufa\u015f\u0103<br \/>\n&#8211; dac\u0103 toate drumurile duc undeva<br \/>\natunci ar trebui s\u0103 descoperim<br \/>\ntotu\u015fi<br \/>\n\u015fi de unde vin ele &#8211;<\/p>\n<p>poate c\u0103 drumul acela (g\u00e2ndeam)<br \/>\nunea dou\u0103 orizonturi \u00eendr\u0103gostite<br \/>\nsortite s\u0103 nu se ating\u0103 niciodat\u0103<\/p>\n<p>dou\u0103 chem\u0103ri<br \/>\ndou\u0103 speran\u021be de\u015farte<br \/>\ndou\u0103 emisfere<br \/>\ndou\u0103 blesteme<br \/>\npoate<br \/>\ndrumul exista<br \/>\n\u00eempotriva logicii elementare<br \/>\n\u015fi<br \/>\n(reneg\u00e2nd tiparele nenorocite)<br \/>\nnici nu avea nume<\/p>\n<p>se f\u0103cea c\u0103 m\u0103 f\u0103ceam un drum<br \/>\n\u00eentre niciunde \u015fi nic\u0103ieri<\/p>\n<p><strong>lupt\u0103<\/strong><\/p>\n<p>lini\u0219tea<br \/>\n\u00ee\u021bi \u0219opte\u0219te vorbe dulci la ureche<br \/>\neu m-am \u00eenf\u0103\u0219urat<br \/>\npentru \u00eenc\u0103 o via\u021b\u0103<br \/>\n\u00een g\u00e2nduri albe<\/p>\n<p>azi am fugit am\u00e2ndoi<br \/>\ndintr-un b\u00e2lci intens mediatizat<br \/>\nacolo exist\u0103 culori<br \/>\ncare \u00ee\u0219i strig\u0103 disper\u0103rile policrome<br \/>\niar vie\u021bi confuze ame\u021besc<br \/>\nr\u0103stignite pe roata destinului<\/p>\n<p>din mine \u00eencearc\u0103 s\u0103 ias\u0103 la lumin\u0103<br \/>\nun trifoi<br \/>\ncu patru foi<\/p>\n<p><strong>la umbra lui Cervantes<\/strong><\/p>\n<p>\u00een definitiv<br \/>\ntrebuie s\u0103 ne obi\u015fnuim cu ideea<br \/>\nlupta cu morile de v\u00e2nt<br \/>\nnu se \u00eencheie niciodat\u0103<br \/>\nexist\u0103 un don quijote multiplicat<br \/>\nf\u0103r\u0103 \u00eendoial\u0103<br \/>\ndulcinee am\u0103gitoare pretind sacrificii<br \/>\nindiferent de loc spa\u0163iu sau timp<br \/>\npoate doar sancho panza \u015fi-ar dori<br \/>\n(uneori)<br \/>\no alt\u0103 meserie<br \/>\n\u00eens\u0103 r\u0103m\u00e2ne captivul unor pove\u015fti at\u00e2t de frumoase<br \/>\n\u00eenc\u00e2t p\u00e2n\u0103 \u015fi rosinanta necheaz\u0103 fericit\u0103<br \/>\natunci c\u00e2nd o alt\u0103 lance se \u00eendreapt\u0103 c\u0103tre cer<br \/>\npentru a \u00eempunge<br \/>\nzadarnic<br \/>\ndestinul ambiguu<br \/>\ntras la \u015fapirograf<\/p>\n<p><strong>apropierea dep\u0103rt\u0103rilor albe<\/strong><\/p>\n<p>din c\u00e2nd \u00een c\u00e2nd \u00ee\u0163i voi compune scrisori<br \/>\nla lumina aurorei boreale<br \/>\ntoate acele cuvinte<br \/>\nsmulse din carne<br \/>\nvor \u00eenr\u0103d\u0103cina amintiri definitive \u00een trupul t\u0103u<br \/>\na\u015fa vei afla c\u0103 exist<br \/>\nc\u0103 \u00eenc\u0103 mai rodesc metafore<br \/>\nprintre mari obsesii criogenizate<\/p>\n<p>dac\u0103 \u00ee\u0163i va fi dor de atingerea mea<br \/>\nlas\u0103 cuvintele s\u0103 z\u0103misleasc\u0103 iluzii<br \/>\nvom \u00eemp\u0103rt\u0103\u015fi acelea\u015fi vise<br \/>\np\u00e2n\u0103 la ad\u00e2nci b\u0103tr\u00e2ne\u0163i<\/p>\n<p>am s\u0103 scriu cu \u0163ur\u0163uri poeme arctice<br \/>\ntu vei sorbi \u00eensetat\u0103<br \/>\nfiecare cuv\u00e2nt<br \/>\nva avea gust de ap\u0103 vie<\/p>\n<p>&nbsp;<\/p>\n<p><strong>diminea\u0163\u0103<\/strong><\/p>\n<p>deschide fereastra<br \/>\niubito<br \/>\ndin trupurile noastre dezgolite<br \/>\nr\u0103sar chiar acum amintirile<br \/>\nnoaptea s-a furi\u015fat din a\u015fternuturi<br \/>\ne buimac\u0103<br \/>\nalearg\u0103 descul\u0163\u0103 prin iarba umed\u0103<br \/>\ncu vise legate la glezne<br \/>\nr\u00e2de \u00een hohote<br \/>\nca o nebun\u0103<br \/>\neu scriu \u00eenc\u0103 un vers pe umerii t\u0103i<br \/>\napoi te s\u0103rut \u015fi \u00ee\u0163i acop\u0103r \u00eenfrigurarea<br \/>\ncu o alt\u0103 diminea\u0163\u0103<br \/>\nsmuls\u0103 din mine<\/p>\n<p><strong>atipic<\/strong><\/p>\n<p>ne-am ascuns \u00eentr-o cas\u0103 din turt\u0103 dulce<br \/>\n\u00eentre noi \u0219i lumea \u00eentreag\u0103<br \/>\nun singur pod<br \/>\npa\u0219ii no\u0219tri se pot intersecta cu pa\u0219ii lor<br \/>\ndac\u0103 vrem<br \/>\ndac\u0103 n-am mai putea s\u0103 fim aceea\u0219i lacrim\u0103<br \/>\nla un moment dat<\/p>\n<p>\u00eenserarea geme<br \/>\nag\u0103\u021bat\u0103 \u00eentre trandafirii ro\u0219ii<br \/>\n\u00eemi este mai bine ca niciodat\u0103<br \/>\n\u00ee\u021bi este cu o sear\u0103 mai dor<\/p>\n<p>las\u0103-mi doar c\u00e2teva cuvinte<br \/>\ndac\u0103 vrei dac\u0103 po\u021bi dac\u0103 \u00eendr\u0103zne\u0219ti<br \/>\no poveste a\u0219teapt\u0103 \u00eenc\u0103 \u00een v\u00e2rful peni\u021bei<br \/>\nf\u0103r\u0103 prin\u021bi<br \/>\nf\u0103r\u0103 prin\u021bese<br \/>\nf\u0103r\u0103 hansel \u0219i gretel<br \/>\npoate doar un comis voiajor va bate la u\u0219\u0103<br \/>\nc\u00e2ndva<br \/>\npentru a ne oferi z\u00e2mbitor<br \/>\nultimul m\u0103r otr\u0103vit al lumii<\/p>\n<p><strong>barcagiu<\/strong><\/p>\n<p>barcagiul acesta nu mai v\u00e2sle\u0219te<br \/>\n\u00eempotriva curentului<br \/>\ndincolo de orizont \u00eel a\u0219teapt\u0103<br \/>\nzadarnic<br \/>\nun alt mal<br \/>\no alt\u0103 eliberare p\u0103relnic\u0103<\/p>\n<p>aici \u0219i acum<br \/>\nel nici nu se mai vede<br \/>\na ie\u0219it din tablou cu luleaua \u00een gur\u0103<br \/>\ng\u00e2rbov<br \/>\ns\u0103tul de zbuciumul dezn\u0103d\u0103jduit al ad\u00e2ncurilor<br \/>\ndoar o siren\u0103 decep\u021bionat\u0103 c\u00e2nt\u0103 suav<br \/>\n\u00eentre ape<br \/>\ncu glasul ademenitor al mor\u021bii<\/p>\n<p>barcagiul acesta surd<br \/>\ne doar o p\u0103rere<br \/>\n\u00eenvechit\u0103 ca un apus v\u0103zut de prea multe ori<\/p>\n<p>din str\u0103funduri se \u00eenal\u021b\u0103 catargefantomatice<br \/>\n\u00een palmele r\u0103nite se deschid<br \/>\ndureros<br \/>\nflori de sare<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone  wp-image-2503\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n.jpg\" alt=\"\" width=\"224\" height=\"224\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n.jpg 546w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-150x150.jpg 150w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-300x300.jpg 300w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-210x210.jpg 210w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-32x32.jpg 32w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-50x50.jpg 50w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-64x64.jpg 64w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-96x96.jpg 96w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2018\/05\/11951145_120245964994596_2846872863175465431_n-128x128.jpg 128w\" sizes=\"(max-width: 224px) 100vw, 224px\" \/><\/p>\n<p><strong>atunci c\u00e2nd se adun\u0103 poe\u0163ii \u00een camera noastr\u0103<\/strong><\/p>\n<p>&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[30],"tags":[],"coauthors":[75],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4rsGx-Eo","_links":{"self":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2504"}],"collection":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/comments?post=2504"}],"version-history":[{"count":1,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2504\/revisions"}],"predecessor-version":[{"id":2505,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2504\/revisions\/2505"}],"wp:attachment":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/media?parent=2504"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/categories?post=2504"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/tags?post=2504"},{"taxonomy":"author","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/coauthors?post=2504"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}