{"id":2118,"date":"2017-11-15T22:49:01","date_gmt":"2017-11-15T22:49:01","guid":{"rendered":"http:\/\/www.nymagazin.com\/?p=2118"},"modified":"2017-11-15T22:49:01","modified_gmt":"2017-11-15T22:49:01","slug":"florin-constantin-verdespoezie","status":"publish","type":"post","link":"http:\/\/www.nymagazin.com\/en_US\/florin-constantin-verdespoezie\/","title":{"rendered":"Florin Constantin Verde\u0219\/Poezie"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-2119\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/11\/15032281_1135481476506177_3088671171700970425_n.jpg\" alt=\"\" width=\"495\" height=\"495\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/11\/15032281_1135481476506177_3088671171700970425_n.jpg 495w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/11\/15032281_1135481476506177_3088671171700970425_n-150x150.jpg 150w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/11\/15032281_1135481476506177_3088671171700970425_n-300x300.jpg 300w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/11\/15032281_1135481476506177_3088671171700970425_n-210x210.jpg 210w\" sizes=\"(max-width: 495px) 100vw, 495px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Florin Constantin VERDE\u015e, s-a n\u0103scut la 11 noiembrie 1961 \u00een Cluj-Napoca.<br \/>\nPoet \u015fi editor, directorul editurii Eurograph, Cluj-Napoca. De-a lungul anilor a fost membru \u015fi conduc\u0103tor a numeroase cenacluri literare \u015fi literar-artistice, dintre care amintim: Cenaclul literar-artistic \u201eObservator\u201d din Cluj-Napoca, (condus de regretatul actor C\u0103lin Neme\u015f \u015fi de scriitorul Gabriel Cojocaru), Cenaclul literar \u201eOrizont\u201d din Cluj-Napoca, (condus de regretatul Ioan Viorel B\u0103dic\u0103), cenaclul literar-artistic \u201eNicolae T\u0103utu\u201d al Casei armatei din Cluj-Napoca, condus de Jean Emanuel Anton \u015fi Florin Constantin Verde\u015f, cenacul literar \u201eTransilvania\u201d din Sibiu (condus de Mircea Iv\u0103nescu \u015fi Ion Mircea), a condus cenaclul literar al Casei armatei din T\u00e2rgu Mure\u015f, iar \u00een prezent este membru al cenaclului literar \u201eConstantin Br\u00e2ncu\u015fi\u201d din Cluj-Napoca (condus de scriitorul Constantin Z\u0103rnescu).<\/p>\n<p>Debut literar \u00een revista \u201eRamuri\u201d \u00een anul 1981 (sub obl\u0103duirea lui Marin Sorescu).<br \/>\nDe-a lungul anilor a mai publicat \u00een \u201eAstra\u201d, \u201eF\u0103clia\u201d, \u201eVatra\u201d, \u201eTransilvania\u201d (la invita\u0163ia scriitorilor Mircea Iv\u0103nescu \u015fi Ion Mircea), \u201eScutul Patriei\u201d, \u201eVia\u0163a militar\u0103\u201d, \u201eCetatea cultural\u0103\u201d, \u201eFilarmonia\u201d, \u201eOra\u015ful\u201detc.<br \/>\nDebut editorial \u00een anul 1999 cu volumul de poezie \u201eAutoportret \u00een fa\u0163a viitorului\u201d la editura Napoca Star \u2013 sub \u00eengrijirea poetului Ion Mure\u015fan.<br \/>\nAlte volume:<br \/>\n&#8211; \u201ejocURI de societate\u201d, editura Grinta, 2006 \u2013 prefa\u0163at de Constantin Z\u0103rnescu \u015fi postfa\u0163at de Dan Marius Dr\u0103gan; &#8211;<br \/>\n&#8211; \u201eecoURI surde\u201d, editura Eurograph, 2008 &#8211; prefa\u0163at de Marcel Mure\u015fanu, postfa\u0163at de Horia Muntenu\u015f<br \/>\n-\u201etimpURI uscate\u201d, editura Eurograph, 2010 \u2013 prefa\u0163at de Dan Marius Dr\u0103gan, postfa\u0163at de Daniela Gifu;<br \/>\n&#8211; \u201etinctURI, editura Eurograph, 2011, prefa\u0163at de Daniela Gifu, postfa\u0163at de Sanda Misirian\u0163u;<br \/>\n&#8211; \u201ealter ego-URI\u201d, editura Eurograph, Cluj-Napoca, 2015, prefa\u0163at de Cornel Udrea, postfa\u0163at de Sorin Poclitaru<br \/>\n&#8211; \u201ediscursURI\u201d, editura Napoca Nova, Cluj-Napoca, 2016<br \/>\n&#8211; -\u201eamorURI\u201d, editura Grinta, Cluj-Napoca, 2017, prefa\u0163at de Adrian Mihai Bumb, cu note de postfa\u0163\u0103 de Ion Cristofor, Adrian \u0162ion \u015fi Gabriel Cojocaru.<\/p>\n<p>Apari\u0163ii colective:<br \/>\n&#8211; Horia Muntenu\u015f &#8211; \u201eScriitori clujeni\u201d \u2013 volumul I, editura Diotima, Cluj-Napoca, 2005;<br \/>\n&#8211; Constantin Tony D\u00e2r\u0163u \u2013 \u201ePersonalit\u0103\u0163i rom\u00e2ne \u015fi faptele lor \u2013 1950-2000\u201d \u2013 volumul XVI, editura Venus, Ia\u015fi, 2005;<br \/>\n&#8211; Antologia \u201ePeregrini prin timp\u201d, editura Eurograph, Cluj-Napoca, 2010;<br \/>\n&#8211; Antologia \u201eMetamorfoze poetice\u201d, editura Citadela, Satu Mare, 2011;<br \/>\n&#8211; Antologia \u201eCuv\u00e2ntul prin timp\u201d, editura Grinta, Cluj-Napoca, 2011;<br \/>\n&#8211; Antologia \u201ePoe\u0163i clujeni la cump\u0103n\u0103 de milenii\u201d, Editura Sedan, Cluj-Napoca, 2012.<br \/>\n&#8211; Antologia \u201ePrietenii poetice\u201d, eCreator Baia Mare, editura Grinta, Cluj Napoca, 2017.<\/p>\n<p>\u00cen curs de apari\u0163ie:<br \/>\n&#8211; \u201eEu cu eURI\u201d<br \/>\n-\u201emottoURI. Tratat de supravie\u0163uire \u00een poem\u201d<\/p>\n<p><em>Lev Tolstoi spune: \u201eE gre\u015fit s\u0103 credem c\u0103 scopul vie\u0163ii este slujirea lui Dumnezeu. Rostul vie\u0163ii este binele. Dar, din moment ce Dumnezeu a dorit s\u0103 d\u0103ruiasc\u0103 binele oamenilor, atunci oamenii, ajung\u00e2nd la binele lor, fac ce dore\u015fte Dumnezeu de la ei, \u00eemplinesc voia lui.\u201d\u00a0 Rostul lui Florin Constantin Verde\u015f a fost s\u0103 scrie.<\/em><\/p>\n<p><em>* * *<\/em><br \/>\n<em>\u2026 unii oameni mor \u00een fa\u0163a mor\u0163ii, asta de fric\u0103, al\u0163ii, mor \u00een fa\u0163a vie\u0163ii, asta pentru c\u0103 nu mai au ce spune semenilor lor, iar ceilal\u0163i, foarte pu\u0163ini la num\u0103r, nu mor niciodat\u0103, \u00ee\u015fi tr\u0103iesc murirea prin nemurire, asta pentru c\u0103 sunt poe\u0163i&#8230; &#8211; f.c.v.<\/em><\/p>\n<p><em>\u015fi&#8230;<\/em><br \/>\n<em>&#8230; uneori, c\u00e2nd ne deschidem interiorul \u015fi ne c\u0103ut\u0103m acolo noi pe noi, primul lucru pe care-l observ\u0103m este prezen\u0163a sau absen\u0163a inimii&#8230;<\/em><br \/>\n<em>&#8230; asta am f\u0103cut \u015fi eu, dar, inima mea a plecat, a plecat \u00eentr-un cer poate mai albastru dec\u00e2t al meu \u015fi-al al t\u0103u, al nostru; nu nep\u0103rat mai bun, dar, cum spuneam, mai albastru&#8230; cerul nostru s-a ascuns \u00een mine \u015fi nu mai e albastru, nori negri , ploi reci \u015fi furtuni l-au umplut, m-au umplut&#8230;<\/em><br \/>\n<em>&#8230; \u015fi&#8230;<\/em><br \/>\n<em>&#8230; \u00eemi fac din lacrim\u0103 e\u015fafodul speran\u0163ei, din cuv\u00e2nt epitaf ca la o \u00eenmorm\u00e2ntare a mor\u0163ii&#8230;<\/em><br \/>\n<em>&#8230; \u015fi&#8230;<\/em><br \/>\n<em>&#8230; \u015fi-mi dedic litania, inimii mele,\u015fi beau, \u00eemi beau s\u00e2ngele \u015fi lacrima, relicve singuratice de suflet&#8230;<\/em><\/p>\n<p><em>\u0102sta sunt eu!<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>* * *<br \/>\n&#8211; <strong>cum m\u0103rul a m\u00e2ncat crea\u0163ia<\/strong><\/p>\n<p>da\u0163i cuvintelor r\u0103gazul s\u0103 g\u00e2ndeasc\u0103,<br \/>\ns\u0103 nu alunece cu potcoavele<br \/>\nde stele moarte, at\u00e2rnate de litere;<br \/>\nda\u0163i cuvintelor dreptul s\u0103 pl\u00e2ng\u0103,<br \/>\ncel mai bine, \u00een locul vostru,<br \/>\ns\u0103 nu se molipseasc\u0103 de minciun\u0103;<\/p>\n<p>\u00eembr\u0103ca\u0163i-v\u0103 cuvintele \u00een metafore,<br \/>\ncele mai frumoase de care<br \/>\nsunte\u0163i \u00een stare,<br \/>\ncele nebiciuite de g\u00e2nduri ascunse;<br \/>\nda\u0163i-le cuvintelor limba \u00eenapoi,<br \/>\nv\u0103 vor \u00eenv\u0103\u0163a c\u0103 \u201eom\u201d<br \/>\nnu sunt doar dou\u0103 litere,<br \/>\nscrijelite pe un bust de copac<br \/>\nt\u0103iat dintr-o p\u0103dure de cea\u0163\u0103;<br \/>\nl\u0103sa\u0163i cuvintele s\u0103 v\u0103 vorbeasc\u0103,<br \/>\ns\u0103 v\u0103 m\u00e2ng\u00e2ie, s\u0103 v\u0103 c\u00e2nte,<br \/>\ns\u0103 v\u0103 plimbe, s\u0103 v\u0103 iubeasc\u0103,<br \/>\n\u015fi niciodat\u0103<br \/>\nnu ve\u0163i mai mu\u015fca<br \/>\ndintr-un m\u0103r putred!<\/p>\n<p>* * *<\/p>\n<p>&#8211; ochi prin ochi, dinte prin dinte<\/p>\n<p>Dumnezeule,<br \/>\npe tine te iube\u015fte Dumnezeu,<br \/>\nori te a\u015fteapt\u0103 s\u0103 \u00ee\u0163i<br \/>\n\u00eentorci obrazul?<\/p>\n<p>m\u0103rul a \u00eenv\u0103\u0163at s\u0103 mu\u015fte,<br \/>\nad\u00e2nc, foarte ad\u00e2nc \u015fi dureros,<br \/>\ncu din\u0163ii \u015fi ochii sc\u0103p\u0103r\u00e2nd \u00een<br \/>\nreflectarea cu\u0163itelor \u00eenfipte \u00een spate!<\/p>\n<p>stau drept \u00een fa\u0163a promisiunii m\u00e2niei,<br \/>\ndrept, sub cerul sup\u0103rat pe cr\u00e2cneal\u0103,<br \/>\n\u00eemi alung r\u0103ceala de nehabotnic,<br \/>\n\u00eemi caut zgomotul min\u0163ii<br \/>\n\u015fi-mi sting chi\u015ftocul muceg\u0103it<br \/>\nal pierzaniei, pe um\u0103rul crucilor<br \/>\nsculptate cu mare art\u0103,<br \/>\ndin oasele ajunse oale \u015fi ulcele&#8230;<\/p>\n<p>te-a\u015ftept Doamne, te a\u015ftept,<br \/>\ns\u0103 m\u00e2nc\u0103m \u00eempreun\u0103<br \/>\np\u00e2inea cea de toate zilele,<br \/>\napoi s\u0103 culegem roadele<br \/>\na ce am sem\u0103nat!<br \/>\ns\u0103 te \u00eembraci gros,<br \/>\npe p\u0103m\u00e2nt a venit<br \/>\niarna sufleteasc\u0103&#8230;<\/p>\n<p>* * *<\/p>\n<p><strong>&#8211; cas\u0103 de piatr\u0103 de v\u00e2nt<\/strong><\/p>\n<p>cuvintele sunt<br \/>\ncoatele \u015fi genunchii unui poem;<br \/>\nde multe ori ele alearg\u0103<br \/>\ncu genunchii inimii la piept,<br \/>\nsau se t\u00e2r\u0103sc pe coastele ascu\u0163ite<br \/>\nale timpului prezent,<br \/>\ndoar ca s\u0103 acopere o pat\u0103 de pe cer<br \/>\ncu un buchet de flori atemporale,<br \/>\nori s\u0103 umple golul din piept<br \/>\ncu muzica unui infinit<br \/>\ncu multe zecimale&#8230;<br \/>\npoemul acesta \u00eens\u0103,<br \/>\neste o nunt\u0103 mare;<br \/>\no nunt\u0103 a cuvintelor cu universul<br \/>\no nunt\u0103 a secundelor cu poemul&#8230;<\/p>\n<p>&#8230; v\u00e2ntul scrie prefa\u0163a unei c\u0103r\u0163i,<br \/>\ndoar cenu\u015fa mai \u015ftie<br \/>\nnumele autorului de pe copert\u0103;<\/p>\n<p>\u00een cer, zeii citesc tardiv postfa\u0163a<br \/>\n\u015fi trimit daruri de nunt\u0103&#8230;<\/p>\n<p>: pe memoria contemporanilor<br \/>\nplou\u0103 infinit, cu multe zecimale!<\/p>\n<p>* * *<\/p>\n<p><strong>&#8211; \u00een vino veritars, poetica!&#8230;<\/strong><\/p>\n<p>Poetul e un decantor!<br \/>\nDe oameni,<br \/>\nde vin,<br \/>\nde vie\u0163i,<br \/>\nde vin,<br \/>\nde oameni \u015fi vie\u0163ile lor,<br \/>\nde vin,<br \/>\nde al\u0163i oameni,<br \/>\nde vin,<br \/>\nde mor\u0163i, de oameni,<br \/>\nde vin,<br \/>\nde timp, de oameni,<br \/>\nde vin,<br \/>\nde uciderea timpului,<br \/>\nde vin,<br \/>\nde oameni \u015fi mor\u0163ile lor,<br \/>\nde vin,<br \/>\nde oameni, cu vie\u0163i \u015fi mor\u0163i,<br \/>\nde vin,<br \/>\nde timpul ucis,<br \/>\nnormal, de vin, \u015fi de oameni,<br \/>\nde punct \u015fi virgul\u0103, punct,<br \/>\npuncte -puncte \u015fi<br \/>\nsemnul exclam\u0103rii.<br \/>\n&#8230; de oameni!<br \/>\nS\u0103 nu uit, de vin!<\/p>\n<p>De vin \u015fi de semne, poate litere,<br \/>\nnumai \u015fi numai de oameni<br \/>\n\u015fi de cuv\u00e2ntul lor.<\/p>\n<p>Poetul este o decantare a vie\u0163ii.<br \/>\nCu moartea merge la cin\u0103,<br \/>\ndanseaz\u0103,<br \/>\nface dragoste plin de via\u0163\u0103<br \/>\n\u015fi \u00eenchiriaz\u0103 DVD-uri<br \/>\ncu \u015fi despre r\u0103zboaie umane,<br \/>\nbea vin \u015fi decanteaz\u0103,<br \/>\napoi d\u0103 toat\u0103 apa din cas\u0103 pe vin<br \/>\n\u015fi decanteaz\u0103 din nou<br \/>\nde at\u00e2t de multe ori<br \/>\n\u00eenc\u00e2t, voi, cei care citi\u0163i,<br \/>\nnu mai \u00een\u0163elege\u0163i nimic!<\/p>\n<p>Poetul este o sum\u0103 de vie\u0163i decantate!<br \/>\n&#8230; de multe ori arse, p\u00e2n\u0103 la<br \/>\nvin ars, sau ars poetic\u0103!<\/p>\n<p>&nbsp;<\/p>\n<p>* * *<\/p>\n<p>&nbsp;<\/p>\n<p><strong>&#8211; fizica fizicului metafizic<\/strong><\/p>\n<p>erai ca pisica aceea cu 7 cozi,<br \/>\nc\u00e2nd \u00ee\u0163i \u00eencol\u0103ceai oasele<br \/>\npe buzele mele,<br \/>\nm\u0103 transformai \u00eentr-un soi de \u015faman<br \/>\ncu pielea plin\u0103 de tatuaje<br \/>\nsuger\u00e2nd fecunditatea&#8230;<\/p>\n<p>eu, afon la toate gamele,<br \/>\nc\u00e2ntam doar c\u00e2ntece de leag\u0103n,<br \/>\nun fel de lemn de m\u0103r<br \/>\ncare sc\u00e2r\u0163\u00e2ia \u201ealeluia\u201d,<br \/>\nla care, atras\u0103 ca un magnet unipolar,<br \/>\nvenea ploaia biciuitoare<br \/>\n\u015fi ne afurisea cu fulgere \u015fi tr\u0103snete,<br \/>\n\u00een mijlocul ritualului de \u00eempreunare,<br \/>\na\u015fa cam pe la momentul<br \/>\nc\u00e2nd eu calculam convertirea<br \/>\nmonedei na\u0163ionale<br \/>\n\u00een moned\u0103 influent\u0103,<br \/>\niar tu mu\u015fcai cu nesa\u0163 din<br \/>\nsingurul m\u0103r f\u0103r\u0103 viermi&#8230;<\/p>\n<p>o voce dolby surround<br \/>\nne recita psalmi amesteca\u0163i<br \/>\nprintre cele 10 porunci, iar ploaia,<br \/>\n\u00eenmuiat\u0103 \u00eentre timp, ungea cu mir<br \/>\nviermii r\u0103ma\u015fi f\u0103r\u0103 imunitate<br \/>\n\u015fi alergici la mirosul de m\u0103r!<\/p>\n<p>\u015fi-apoi?! Apoi nimic!<\/p>\n<p>doar judecata:<br \/>\nce-a mai r\u0103mas<br \/>\ndin arderea p\u0103durii<br \/>\ns-a v\u00e2ndut, cu mare profit, la export,<br \/>\niar pisica s\u0103lbatic\u0103 e ocrotit\u0103 de lege&#8230;<\/p>\n<p>&nbsp;<\/p>\n<p>* * *<\/p>\n<p><strong>&#8211; perfuzie cu ADN<\/strong><\/p>\n<p>cerul \u00ee\u015fi tot scutur\u0103 pieptul<br \/>\nirig\u00e2nd pove\u015ftile copil\u0103riei<br \/>\nnoastre umane&#8230;<\/p>\n<p>ne hr\u0103nim cu s\u00e2ngele<br \/>\ntimpurilor \u00eenc\u0103lecate<br \/>\ndar niciodat\u0103 domesticite,<br \/>\npe care doar poemul<br \/>\nmai poate l\u0103sa d\u00e2re,<br \/>\nca un r\u00e2u g\u00e2nditor,<br \/>\nn\u0103sc\u0103tor de cuvinte<br \/>\nprin cuvinte&#8230;<\/p>\n<p>\u015fi r\u00e2ul alunec\u0103, nu curge,<br \/>\nduc\u00e2ndu-\u015fi fericirea pe o plut\u0103<br \/>\n\u00eentre via\u0163\u0103 \u015fi moarte,<br \/>\n\u00eentre soare \u015fi p\u0103m\u00e2nt,<br \/>\nca printr-o delt\u0103 de creiere<br \/>\nneinvadate de braconieri!<\/p>\n<p>cerul \u00ee\u015fi tot scutur\u0103 pieptul&#8230;<br \/>\n\u00een spatele lui moare lumina,<br \/>\notr\u0103vit\u0103 cu un cu\u0163it vorbitor,<br \/>\np\u0103m\u00e2ntul mai tr\u0103ie\u015fte doar ca un s\u0103rac<br \/>\ncare a descoperit pubela cu<br \/>\npraf de str\u0103zi<br \/>\ncare dau \u00eentotdeauna \u00een alte str\u0103zi&#8230;<\/p>\n<p>chefuim la mesele unde<br \/>\nse bea pentru Domnul,<br \/>\n\u00een s\u0103n\u0103tatea noastr\u0103,<br \/>\nse bea s\u00e2ngele s\u0103racului om,<br \/>\n\u015fi-al s\u0103racului p\u0103m\u00e2nt,<br \/>\ndeasupra, cerul<br \/>\ncu pieptul scuturat, secat,<br \/>\nsub noi, p\u0103m\u00e2ntul inundat de s\u00e2nge,<br \/>\ncu gura de piatr\u0103 c\u0103scat\u0103 infern<br \/>\n\u015fi cuvintele \u00eens\u00e2ngerate din poemul care<br \/>\n\u0163ine echilibrul<br \/>\n\u00eentre via\u0163\u0103 \u015fi moarte,<br \/>\n\u00eentre soare \u015fi p\u0103m\u00e2nt<\/p>\n<p>: ca un s\u0103rac care a descoperit<br \/>\nperfuzia cu z\u00e2mbet!<\/p>\n<p>* * *<\/p>\n<p><strong>&#8211; spovedanie \u201ein rem\u201d<\/strong><\/p>\n<p>Onorat\u0103 instan\u0163\u0103 ,<br \/>\nnu mai \u0163in minte exact,<br \/>\ndar cred c\u0103<br \/>\nera \u00een noaptea aceea ploioas\u0103<br \/>\nc\u00e2nd, dup\u0103 ce<br \/>\ni-am desc\u0103l\u0163at cuvintele de tocuri,<br \/>\n\u015fi i-am sf\u00e2\u015fiat &#8211; cu dou\u0103 glume &#8211;<br \/>\nmetaforele de pe sf\u00e2rcurile<br \/>\nunor urme ap\u0103sate de timp ,<br \/>\nea m-a pocnit cu un plagiat<br \/>\n\u00een moalele poemului&#8230;<\/p>\n<p>Recunosc, de-atunci merge<br \/>\n\u015fchioap\u0103 de-un picior metric,<br \/>\ndar to\u0163i criticii legi\u015fti<br \/>\npe la care a fost i-au dat doar<br \/>\nadeverin\u0163e pline de semne<br \/>\nde-ntrebare \u015fi de exclamare&#8230;<\/p>\n<p>I-am falsificat razele luminii<br \/>\nsub care ap\u0103rea \u00een fa\u0163a rudelor,<br \/>\nprietenilor \u015fi, \u00een final al cititorilor,<br \/>\ncare credeau c\u0103 am o iubit\u0103&#8230;<\/p>\n<p>\u015etiu, e fals \u015fi uz de fals<br \/>\n\u015fi poate \u015fi ceva trafic de con\u015ftiin\u0163e,<br \/>\ndar nu e o v\u0103t\u0103mare corporal\u0103,<br \/>\na\u015fa c\u0103, v\u0103 rog, condamna\u0163i-m\u0103<br \/>\nla munc\u0103 \u00een folosul Poeziei&#8230;<\/p>\n<p>* * *<\/p>\n<p><strong>&#8211; curcubeul de la miezul somnului<\/strong><\/p>\n<p>Poe\u0163ii nu mor niciodat\u0103 \u00een patul lor,<br \/>\npentru c\u0103 ei nu au paturi,<br \/>\nau doar ni\u015fte hamace cu ochiuri multe,<br \/>\nprin care trec tot timpul<br \/>\n+uri \u015fi \u2013uri infinite,<br \/>\nun fel de clipe descul\u0163e \u015fi fl\u0103m\u00e2nde<br \/>\nabandonate \u015fi l\u0103sate s\u0103 moar\u0103<br \/>\n\u00een gropi comune:<br \/>\ncuvintele lor pot fi identificate doar<br \/>\ndup\u0103 radiografia din\u0163ilor mu\u015fc\u0103tori<br \/>\ndin cuvinte!<\/p>\n<p>Poe\u0163ii nu mor niciodat\u0103 \u00een casa lor<br \/>\npentru c\u0103 ei nu au o cas\u0103 a lor,<br \/>\nunde s\u0103 d\u0103n\u0163uie \u015fi s\u0103 se dezl\u0103n\u0163uie<br \/>\nmuzele goale, s\u0103tule de<br \/>\n\u00eendelunga pribegie prin<br \/>\ng\u00e2ndurile c\u0103zute pe g\u00e2nduri,<br \/>\nbete de speran\u0163a c\u0103 pot spera,<br \/>\nau doar ni\u015fte ad\u0103posturi<br \/>\n&#8211; f\u0103r\u0103 u\u015fi, f\u0103r\u0103 ferestre \u2013<br \/>\ncu ochiuri multe,<br \/>\nprin care trec tot timpul<br \/>\n+uri \u015fi \u2013uri infinite,<br \/>\nun fel de vie\u0163i dezbr\u0103cate de moarte,<br \/>\nl\u0103sate s\u0103 c\u00e2nte psalmi la marginea<br \/>\nuniversului:<br \/>\nc\u00e2ntecele lor pot fi auzite doar de cei<br \/>\ncare au \u00eenv\u0103\u0163at gama dor major!<\/p>\n<p>De fapt, poe\u0163ii nu mor o moarte a lor,<br \/>\nde cele mai multe ori,<br \/>\nmoartea este via\u0163a lor, \u015fi o petrec<br \/>\n\u00een golurile din oameni:<br \/>\nun fel de +uri \u015fi \u2013uri de<br \/>\ncuvinte \u015fi c\u00e2ntece infinite<br \/>\narcuite peste anotimpurile<br \/>\nunei ore t\u00e2rzii&#8230;<\/p>\n<p>* * *<\/p>\n<p><strong>&#8211; magazin istoric, de \u00eentuneric<\/strong><\/p>\n<p>Motto:<br \/>\n\u201eNu sunt creat prea bine,<br \/>\nCineva ar fi trebuit s\u0103 foloseasc\u0103 firul cu plumb\u2026\u201d<br \/>\nIrving Stone<\/p>\n<p>\u00cen fiecare zi \u00eei calc pa\u015fii,<br \/>\ndar \u00eei calc a\u015fa, cu bocanci grei,<br \/>\n\u015fi-i \u00eempr\u0103\u015ftii urmele<br \/>\ncu tot cu roza v\u00e2nturilor; de-o vreme<br \/>\npa\u015fii i-au devenit alerg\u0103tori,<br \/>\n\u015fi-alerg \u015fi eu dup\u0103 ei,<br \/>\npa\u015fii mei peste pa\u015fii ei,<br \/>\n\u015fi alearg\u0103 \u015fi mai repede,<br \/>\npa\u015fii mei tot peste pa\u015fii ei,<br \/>\n\u015fi mai repede, pa\u015fii ei, aha-aha,<br \/>\ng\u00e2f\u00e2ie pa\u015fii mei, \u015fi mai repede,<br \/>\npa\u015fii ei dep\u0103\u015fesc lumina,<br \/>\npa\u015fii mei \u00eei ajung din urm\u0103 umbra,<br \/>\n\u015fi deodat\u0103, \u00eentunericul \u00ee\u015fi pune<br \/>\npasul greu peste sim\u0163urile mele:<br \/>\nm-a ajuns din urm\u0103, umbra mea.<\/p>\n<p>\u00centre dou\u0103 umbre, \u00eei mai aud pa\u015fii,<br \/>\ncalc\u0103 pe toate zilele de ieri, de-alalt\u0103ieri,<br \/>\n\u015fi calc\u0103 a\u015fa, ap\u0103sat \u015fi ad\u00e2nc&#8230;<\/p>\n<p>Ce tare sc\u00e2r\u0163\u00e2ie \u00eentunericul!<\/p>\n<p>* * *<\/p>\n<p><strong>(+ &#8211; ) La mul\u0163i ani!<\/strong><\/p>\n<p>cineva \u00eemi spunea c\u00e2ndva<br \/>\nc\u0103 timpul r\u0103m\u00e2ne mereu t\u00e2n\u0103r.<\/p>\n<p>eu cred c\u0103, dimpotriv\u0103,<br \/>\ntimpul este b\u0103tr\u00e2n, foarte b\u0103tr\u00e2n,<br \/>\n\u015fi mai cred c\u0103 undeva<br \/>\nmai \u00eencolo spre ( + )viitor,<br \/>\na \u015fi murit&#8230;<br \/>\nasta dac\u0103 ( &#8211; ) infinitul<br \/>\nnu \u00ee\u015fi va aduce aminte de noi&#8230;<\/p>\n<p>important este c\u0103 Dumnezeu<br \/>\ne mai indulgent dec\u00e2t timpul:<br \/>\nuneori, mai \u015fi iart\u0103!&#8230;<\/p>\n<p>nu timpul,<br \/>\ndoar anul, luna, ziua, ora,<br \/>\nr\u0103m\u00e2n tinere;<br \/>\nuite, de exemplu, peste \u015fapte minute<br \/>\n(probabil \u015fi c\u00e2teva secunde<br \/>\ncare deja sunt amintire)<br \/>\nora asta moare, dar se na\u015fte alta&#8230;<br \/>\n\u015fi tot a\u015fa! pare un joc de copii,<br \/>\ndar timpul, el, timpul,<br \/>\nr\u0103m\u00e2ne arbitrul suprem!<\/p>\n<p>doar anii no\u015ftri sunt tineri, fiecare \u00een parte,<br \/>\npentru c\u0103 Dumnezeu nu vrea s\u0103 ne sperie<br \/>\nmai mult dec\u00e2t ne speriem singuri&#8230;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-2119\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/11\/15032281_1135481476506177_3088671171700970425_n.jpg\" alt=\"\" width=\"495\" height=\"495\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/11\/15032281_1135481476506177_3088671171700970425_n.jpg 495w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/11\/15032281_1135481476506177_3088671171700970425_n-150x150.jpg 150w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/11\/15032281_1135481476506177_3088671171700970425_n-300x300.jpg 300w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/11\/15032281_1135481476506177_3088671171700970425_n-210x210.jpg 210w\" sizes=\"(max-width: 495px) 100vw, 495px\" \/><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Florin Constantin VERDE\u015e, s-a n\u0103scu&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[30],"tags":[],"coauthors":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4rsGx-ya","_links":{"self":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2118"}],"collection":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/comments?post=2118"}],"version-history":[{"count":1,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2118\/revisions"}],"predecessor-version":[{"id":2120,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2118\/revisions\/2120"}],"wp:attachment":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/media?parent=2118"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/categories?post=2118"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/tags?post=2118"},{"taxonomy":"author","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/coauthors?post=2118"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}