{"id":2089,"date":"2017-09-30T02:38:43","date_gmt":"2017-09-30T02:38:43","guid":{"rendered":"http:\/\/www.nymagazin.com\/?p=2089"},"modified":"2017-09-30T02:50:18","modified_gmt":"2017-09-30T02:50:18","slug":"emil-nesiupoezie","status":"publish","type":"post","link":"http:\/\/www.nymagazin.com\/en_US\/emil-nesiupoezie\/","title":{"rendered":"Emil Nesiu\/Poezie"},"content":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-2090\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/09\/195839_102381503179479_649810_n.jpg\" alt=\"195839_102381503179479_649810_n\" width=\"450\" height=\"447\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/09\/195839_102381503179479_649810_n.jpg 450w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/09\/195839_102381503179479_649810_n-150x150.jpg 150w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/09\/195839_102381503179479_649810_n-300x298.jpg 300w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/09\/195839_102381503179479_649810_n-210x210.jpg 210w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p>SERENADE<br \/>\nNr. 6<br \/>\n\u0218i i-a desprins bra\u021bele cu frenezia<br \/>\ntangoului prea cunoscut<br \/>\nFilling desprins<br \/>\ndin scorojeala zidului<br \/>\nlitere trecute-n zborul<br \/>\ndiscursiv al p\u0103catelor<\/p>\n<p>*<br \/>\nnr. 7, opus 1<br \/>\nLe-am desenat \u0219oaptelor<br \/>\npove\u0219ti alambicate<br \/>\ncu ramuri r\u00e2ncede de triste\u021be.<br \/>\nNu \u2013mi st\u0103 \u00een fire<br \/>\ns\u0103 num\u0103r formele feminine<br \/>\nce-mi \u0219ifoneaz\u0103 privirea<br \/>\nTrec mai departe<\/p>\n<p>*<br \/>\nNr. 7, opus 2<br \/>\nPrivind floarea cunoa\u0219terii<br \/>\nde trei ori am aruncat-o<br \/>\nla co\u0219.<br \/>\nCurcubeu de lucruri pestri\u021be<br \/>\ngrav mintea bolnavului<br \/>\nprin cuvinte<br \/>\nse pierde.<\/p>\n<p>*<br \/>\nNr. 7, opus 3<br \/>\nPeste z\u0103pada z\u00e2mbetului<br \/>\ndiminea\u021ba vibreaz\u0103.<br \/>\nA trecut nunta stelelor<br \/>\nde trei ori a trecut.<br \/>\nArip\u0103 blestemat\u0103,<br \/>\nf\u0103r\u0103 culoare<br \/>\nvorbind despre \u00een\u0103l\u021bare.<\/p>\n<p>*<br \/>\nNr. 7 , opus 4<br \/>\nPe noi, pl\u0103cerile,<br \/>\nne-au devorat demult.<br \/>\nImagini deochiate<br \/>\nprevestind furtuna<br \/>\nacum ca niciodata<br \/>\niubitei pot s\u0103-i spun<br \/>\nacela\u0219i Noapte Bun\u0103<\/p>\n<p>*<br \/>\nnr. 8, opus 1<br \/>\nUnde mu\u021benia<br \/>\n\u0219terge orice iluzie<br \/>\nla col\u021bul ultimei zile<br \/>\n\u021bi-am p\u0103strat z\u00e2mbetul,<br \/>\nprinos dintr-o joac\u0103<br \/>\na Crinului \u2013 Actor ce eram.<br \/>\nR\u00e2sul grotesc al m\u0103\u0219tii<br \/>\nr\u0103sfirat din oglind\u0103<\/p>\n<p>*<\/p>\n<p>Nr. 8, opus 2<br \/>\nSeara mi-a sorbit paharul,<br \/>\n\u00eenc\u0103 un amurg,<br \/>\ncu imaginea ta<br \/>\n\u00eentre pleoape<br \/>\nm-a cuprins somnul.<\/p>\n<p>Mai apoi o sanda,<br \/>\npiciorul gol, r\u0103v\u0103\u0219ind nisipul<br \/>\ndin clepsidr\u0103<\/p>\n<p>*<br \/>\nnr. 8, opus 3<br \/>\nS-a fr\u00e2nt genunchiul apei<br \/>\nde r\u0103d\u0103cini absurde.<br \/>\nPeste s\u00e2nul femeii aceste<br \/>\nmirarea suspin\u0103.<br \/>\nSoarele mai pune \u00eentreb\u0103ri<br \/>\ndebandad\u0103 total\u0103.<br \/>\n\u0218arpele ascunde m\u0103rul<br \/>\n\u0219u\u0219otind..<\/p>\n<p>*<br \/>\nnr. 8, opus 4<br \/>\nFiecare silab\u0103<br \/>\nare glas de s\u00e2nge.<br \/>\nIar g\u00e2ndul cu gust am\u0103rui<br \/>\np\u00e2n\u0103-n marginea graiului<br \/>\nmai alearg\u0103.<br \/>\nE ora Teiului sf\u00e2nt<br \/>\n\u0219i cuvinte \u00eenstelate<br \/>\nies prin Poarta Ipote\u0219tilor.<\/p>\n<p>*<br \/>\nNr. 8, opus 5<br \/>\nAm l\u0103sat apei<br \/>\nfa\u021ba ta<br \/>\nComics &#8211; uri japoneze<br \/>\n(nu \u0219tiam nimic<br \/>\ndespre ele )<br \/>\nSimpl\u0103 curiozitate<br \/>\n\u0219i \u00eenjuram cavalere\u0219te<br \/>\nfiecare secund\u0103.<\/p>\n<p>*<br \/>\nNr. 8, opus 6<br \/>\n\u00cei sting lacrima<br \/>\n\u00een dosul pleoapei.<br \/>\nAm oprit mesajul,<br \/>\napune z\u00e2mbetul<br \/>\n\u00een aburul de trupuri<br \/>\n\u0219i poate m\u0103 sim\u021bi<br \/>\nmai aproape<br \/>\ncu fiecare noapte.<\/p>\n<p>*<br \/>\nNr. 8, opus 7<br \/>\nUn genunchi<br \/>\n\u00eemi apas\u0103 pieptul<br \/>\ndeformat apusul<br \/>\ncu degete violete.<br \/>\n\u00cen susul \u0219i josul bulevardului<br \/>\n\u00eemi prea trec zilele<br \/>\nla fiecare butonier\u0103,<br \/>\nDepartarea.<\/p>\n<p>*<\/p>\n<p>Nr. 8, opus 8<br \/>\n\u00cen chipul meu<br \/>\noglinda \u00eentrebare trece.<br \/>\nPas\u0103rea r\u0103nit\u0103-\u0219i<br \/>\ng\u0103se\u0219te pustiul<br \/>\n\u00een balansoarul t\u0103cerii.<br \/>\nNu-mi mai ajunge<br \/>\nTIMPUL<br \/>\nla defri\u0219at r\u0103spunsuri<\/p>\n<p>*<br \/>\nnr. 9 , opus 1<br \/>\n\u0218i niciodat\u0103 uitarea<br \/>\nn-a mai cobor\u00e2t<br \/>\n\u00eentr-o icoan\u0103 de altar<br \/>\nam ascuns-o<br \/>\nalb\u0103 cunun\u0103 i-am d\u0103ltuit<br \/>\n\u0219i am a\u0219teptat<br \/>\ncrin bolnav<br \/>\ncum r\u00e2sul secera<br \/>\nos\u00e2ndit la t\u0103cere<\/p>\n<p>*<br \/>\nnr. 9, opus 2<br \/>\nPovara de a purta o floare<br \/>\ne o absen\u021b\u0103.<br \/>\nNuan\u021b\u0103ri ale \u0219oaptei<br \/>\n\u00een form\u0103 de clopot.<\/p>\n<p>\u00centre cinci \u0219i \u0219apte<br \/>\nlacrima<br \/>\nlubrifiaz\u0103 sufletul.<br \/>\nDoar pervazul ferestrei<br \/>\ns\u0103-mi deschid\u0103 calea.<\/p>\n<p>*<br \/>\nNr. 9, opus 3<br \/>\n\u0218oaptele tale<br \/>\nau dat amurgului<br \/>\nnoi \u00een\u021belesuri.<br \/>\nPentru oaspe\u021bii zbur\u0103tori<br \/>\nam a\u0219ezat masa.<br \/>\nDou\u0103 c\u00e2te dou\u0103<br \/>\nm-au urmat<br \/>\n\u0219i p\u00e2n\u0103-n zori<br \/>\nmi-au devorat TIMPUL.<\/p>\n<p>*<br \/>\nNr. 9, opus 4<br \/>\nA s\u0103rut<br \/>\nmiroase licoarea<br \/>\ndespre care<br \/>\ndimine\u021bile povesteau.<br \/>\nNu-mi mai vine<br \/>\ns\u0103 deschid fereastra,<br \/>\ncu splina v\u00e2n\u0103t\u0103<br \/>\ndintr-un consult<br \/>\n\u00eenclin doar capul.<\/p>\n<p>*<br \/>\nNr. 9, opus 5<br \/>\nS-a fr\u00e2nt genunchiul apei<br \/>\nde r\u0103d\u0103cini absurde.<br \/>\nPeste s\u00e2nul femeii<br \/>\ndurerea<br \/>\narom\u0103 de tinctur\u0103.<br \/>\n\u0218arpele de\u021bine alternativa<br \/>\nm\u0103rului oprit de lege<br \/>\ndin m\u0103re\u021bia nisipului<br \/>\neliberat pe cau\u021biune.<br \/>\n*<br \/>\nNr. 9, opus 6<br \/>\nA r\u0103mas proptit\u0103<br \/>\ndup\u0103 un evantai<br \/>\nmarea de sare,<br \/>\ndincolo,<br \/>\nochii ei, un albatros verde<br \/>\ndesemn\u00e2nd piruete.<br \/>\nDintr-o noapte<br \/>\nmai \u00eent\u00e2i aprilie<br \/>\nexilat<br \/>\n\u00eentr-o statuie.<br \/>\n*<br \/>\nNr. 9, opus 7<br \/>\nNu las lucrurile<br \/>\nla voia \u00eent\u0103mpl\u0103rii.<br \/>\nPoate doar intoxicat<br \/>\nfiind<br \/>\ns\u0103 caut<br \/>\nalinarea \u2013ntr-o frunz\u0103<br \/>\nde ment\u0103 , ame\u021bit<br \/>\nde spa\u021biu unde<br \/>\nam jucat prima dat\u0103<br \/>\nMONOPOLY \u0219i m-am r\u0103t\u0103cit.<br \/>\n*<br \/>\nNr. 9, opus 8<br \/>\nIluzie mascat\u0103<br \/>\ncu spatele \u2013ntors.<br \/>\nAcela\u0219i nud<br \/>\n\u00ee\u0219i poart\u0103 bra\u021bele<br \/>\nmolatice liane<br \/>\nastup\u00e2nd timpane.<br \/>\nCum c\u00e2ntecul e z\u00e2mbet<br \/>\nleg\u0103nat de valuri<br \/>\n\u0219i suflet.<\/p>\n<p>*<br \/>\nNr.9, opus 9<br \/>\nOstenite aripele<br \/>\n\u0219i-au uitat mar\u0219ul<br \/>\nlegiuni \u00eentregi<br \/>\ndintr-o fereastr\u0103.<br \/>\nMu\u0219cata tresare<br \/>\npentru a atinge nudul<br \/>\ncu visele, poate.<br \/>\n\u00cen sudul palmelor,<br \/>\nun ciudat tropot<br \/>\n\u0219i am\u0103reala zilelor.<br \/>\n*<br \/>\nNr. 10, opus 1<br \/>\nS\u0103-\u021bi las c\u00e2ntecul desenat<br \/>\n\u00eentre \u0219oapte.<br \/>\nDorin\u021ba l\u0103f\u0103indu-se<br \/>\nla Soare.<br \/>\nCiudat\u0103 indiferen\u021ba<br \/>\nunor zile pierdute.<br \/>\nBun c\u00e2\u0219tigat<br \/>\nla masa de joc.<br \/>\nN-ar fi corect<br \/>\ns\u0103 modific programul<br \/>\n*<br \/>\nnr.10, opus 2<br \/>\nTrecut\u0103 lacrima,<br \/>\nridat\u0103 fruntea,<br \/>\n\u0219uvi\u021ba m\u00e2ng\u00e2iat\u0103<br \/>\nde v\u00e2nt.<br \/>\nPrivirea plecat\u0103,<br \/>\ns\u0103rutul r\u0103sfr\u00e2nt<br \/>\ndin lumea literei<br \/>\npudrat\u0103 \u021bi-e fa\u021ba,<br \/>\ncuv\u00e2ntul din urm\u0103<br \/>\nS\u0102RUT<\/p>\n<p>*<\/p>\n<p>Nr. 1o, opus 3<br \/>\nPlictisit\u0103<br \/>\nde lumea ei<br \/>\n\u0219i-a uitat fardurile<br \/>\ndup\u0103 primul col\u021b de strad\u0103.<br \/>\nLentilele ce-i num\u0103rau<br \/>\nmeta &#8211; fizic din\u021bii<br \/>\ncompromit dansul.<br \/>\nPrea blazat trec,<br \/>\ndespre prima fil\u0103<br \/>\nresturile unui \u00eenceput.<\/p>\n<p>*<br \/>\nNr. 10, opus 4<br \/>\nP\u0103rerea mea<br \/>\nnu mai conteaz\u0103.<br \/>\nExersez<br \/>\n\u00eembr\u0103\u021bi\u0219area florilor<br \/>\np\u00e2n\u0103 la exasperare.<br \/>\n\u00cempart \u0219oaptele<br \/>\nZilelor.<br \/>\nCu desene deformate<br \/>\ns\u0103-mi treac\u0103<br \/>\nAMNEZIA<\/p>\n<p>*<br \/>\nNr. 10, opus 5<br \/>\nFiindc\u0103 totul te r\u0103ne\u0219te<br \/>\nnimic nefiresc la manechinul<br \/>\namabil s\u0103-\u021bi alinte<br \/>\n\u0219uvi\u021ba de pe frunte<br \/>\ncu r\u0103bdare.<br \/>\nOb\u021biunea pentru m\u0103rul roditor<br \/>\nam mutat-o mai aproape<br \/>\nde zei.<br \/>\nInapt pentru vreo fapt\u0103 de vitejie<br \/>\npaznicul de la far.<\/p>\n<p>*<\/p>\n<p>Nr. 10, opus 6<br \/>\nFoaia aceasta uzat\u0103<br \/>\nnu e o bancnot\u0103.<br \/>\nNudul cu spatele-ntors<br \/>\n\u00een umbra por\u021bii.<br \/>\nIluzia poart\u0103 un nume<br \/>\n\u0219i am uitat dansul<br \/>\n\u00een acela\u0219i decor.<br \/>\np\u00een\u0103 la urm\u0103 e<br \/>\no chestie de gust<br \/>\ncu visul pe frunte<br \/>\n*<br \/>\nNr. 11,opus 1<br \/>\nTe mai a\u0219tept,<br \/>\np\u00e2n\u0103 voi vedea<br \/>\nfocul din palme.<br \/>\nC\u00e2nd z\u0103pada \u021bi-e curat\u0103<br \/>\nsufletul \u00eenc\u0103 verde<br \/>\ndus din ducere<br \/>\nalung\u0103 frigul din oase.<br \/>\nPentru t\u00e2n\u0103ra inim\u0103,<br \/>\np\u0103c\u0103lind h\u00e2rtia,<br \/>\n\u0219oaptele r\u00e2ului alb<br \/>\ndin amintire.<\/p>\n<p>*<br \/>\nNr. 11, opus 2<\/p>\n<p>\u00ce\u021bi voi descoperi<br \/>\nculoarea nop\u021bii<br \/>\ncu fiecare diminea\u021b\u0103<br \/>\npetrecut\u0103 aproape.<br \/>\nGhimpii,<br \/>\nproptind lacrima<br \/>\n\u00eentre obraji \u0219i picioare.<br \/>\nPetalelor din miezul<br \/>\naducerii aminte<br \/>\nle-a trecut ideea<br \/>\nmai departe.<\/p>\n<p>*<br \/>\nNr. 11, opus 3<\/p>\n<p>O poveste<br \/>\n\u00een miez de noapte<br \/>\nst\u0103 s\u0103 lacrime.<\/p>\n<p>Vrabia adormit\u0103,<br \/>\nciugulind cuvintele,<br \/>\n\u00ee\u0219i drege glasul<br \/>\nmai apoi.<\/p>\n<p>P\u0103cate,<br \/>\n\u00eenmul\u021bind talan\u021bii<br \/>\nc\u00e2ini vagabonzi<br \/>\nai zilei ce urmeaz\u0103.<\/p>\n<p>*<\/p>\n<p>Nr. 11, opus 4<\/p>\n<p>Un albastru complicat<\/p>\n<p>din muguri<\/p>\n<p>s\u00e2ni sur\u0103z\u00e2nd<br \/>\nca iri\u0219ii din lacrimi<br \/>\n\u00eembog\u0103\u021bind interiorul<br \/>\nprea s\u0103rac.<br \/>\nFiec\u0103rei suprafe\u021be<br \/>\ncorespondent un crista.<br \/>\nIar noapte,<br \/>\nce anun\u021b\u0103 \u00eentunericul<br \/>\nprintre gene<\/p>\n<p>*<br \/>\nnr. 11, opus 5<\/p>\n<p>Toropit de plictis<br \/>\ndescompus de pofte<br \/>\nde c\u0103ldur\u0103 \u0219i sete<br \/>\ncu past\u0103 flamand\u0103<br \/>\nam scris.<br \/>\nMestec\u0103 u\u0219or c\u0103rnurile<br \/>\na \u201c nove cento\u201d.<br \/>\nMelci multicolori<br \/>\n\u00eentre degetele lui<br \/>\ndresor pictat<br \/>\niar la picioare, marea.<br \/>\n*<br \/>\nNr. 11, opus 6<\/p>\n<p>Cu imaginea dimine\u021bii<br \/>\n\u00eentre degete<br \/>\nmai mult c\u00e2ntecul<br \/>\nsp\u00e2nzurat de perdea,<br \/>\nglezna st\u00e2ng\u0103 aruncat\u0103.<br \/>\nDincolo,<br \/>\nsur\u00e2sul mimeaz\u0103<br \/>\nmai mult pl\u0103cerea.<br \/>\nCel mai ciudat lucru<br \/>\naceea\u0219i monogram\u0103<br \/>\nfereastra deschis\u0103.<br \/>\n*<br \/>\nNr. 11, opus 7<\/p>\n<p>Sufletul,<br \/>\nadunat \u00eentre palme<br \/>\nfilamentul unui bec<br \/>\nspart.<br \/>\nCum se mi\u0219c\u0103<br \/>\nduhul lui<br \/>\ndup\u0103 razele albe.<br \/>\nS\u0103rutul acesta,<br \/>\nare sarcina unor p\u0103reri<br \/>\nc\u00e2ndva ascunse<br \/>\nochiului<\/p>\n<p>*<br \/>\nnr. 12, opus 1<\/p>\n<p>P\u00e2n\u0103 la urm\u0103<br \/>\nam trecut pe curat<br \/>\nchimono &#8211; ul despicat<br \/>\npe la col\u021buri.<br \/>\nAdmirat\u0103 pentru uniform\u0103<br \/>\n\u0219i prostul obicei<br \/>\nde analiz\u0103 sincretic\u0103.<br \/>\nUltimul pahar neciobit<br \/>\ndin colec\u021bia bunicii<br \/>\niar dansul frenetic<br \/>\nunduire de \u0219olduri<br \/>\ndirec\u021bionat spre Soare Apune.<\/p>\n<p>*<br \/>\nNr. 12, opus 2<br \/>\n\u00cen podul palmei<br \/>\nam g\u0103sit un s\u0103rut<br \/>\ndintr-o gur\u0103 bolnav\u0103<br \/>\nde pl\u0103ceri.<br \/>\nM\u00e2na pentru care<br \/>\nc\u00e2ntecul \u021big\u0103nesc<br \/>\nmai cerea poman\u0103<br \/>\ndeschidea suflete.<br \/>\nLacrima pentru care<br \/>\nochiul odat\u0103 secat<br \/>\nmai las\u0103 urme de ruj<br \/>\npe c\u0103ma\u0219a &#8211; a desfr\u00e2u descheiat\u0103.<\/p>\n<p>*<br \/>\nNr. 12, opus 3<br \/>\nUltima creang\u0103<br \/>\n\u00ee\u021bi trecea-n dar<br \/>\ne\u0219arfa purpurie<br \/>\ndintr-o toamn\u0103.<br \/>\n\u00cempin\u0219i de v\u00e2nt<br \/>\nnavig\u00e2nd<br \/>\n\u00een ce\u021buri de zori.<br \/>\nNelini\u0219tea tulburat\u0103<br \/>\nde g\u00eenduri<br \/>\nuragan sf\u00e2r\u0219it<br \/>\ncalmate dunele de nisip<br \/>\n\u0219i cel din urm\u0103 s\u0103rut.<\/p>\n<p>*<\/p>\n<p>Serenada nr.13, opus 1<br \/>\nLini\u0219tea<br \/>\na\u0219eza petale<br \/>\ncu sim\u021birea<\/p>\n<p>Ve\u021bi spune<br \/>\nun poem de dragoste<br \/>\nca at\u00e2tea altele<\/p>\n<p>\u0218i tocmai de aceea<br \/>\n\u00eemi tremur\u0103 barba<br \/>\nde ner\u0103bdare<\/p>\n<p>M\u00e2na schi\u021beaz\u0103<br \/>\nnoi \u00eenceputuri<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p><img decoding=\"async\" loading=\"lazy\" class=\"alignnone size-full wp-image-2090\" src=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/09\/195839_102381503179479_649810_n.jpg\" alt=\"195839_102381503179479_649810_n\" width=\"450\" height=\"447\" srcset=\"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/09\/195839_102381503179479_649810_n.jpg 450w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/09\/195839_102381503179479_649810_n-150x150.jpg 150w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/09\/195839_102381503179479_649810_n-300x298.jpg 300w, http:\/\/www.nymagazin.com\/wp-content\/uploads\/2017\/09\/195839_102381503179479_649810_n-210x210.jpg 210w\" sizes=\"(max-width: 450px) 100vw, 450px\" \/><\/p>\n<p>SERENADE<br \/>\nNr. 6<br \/>\n\u0218i i-a desprins bra\u021bele&#8230;<\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[28],"tags":[],"coauthors":[],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4rsGx-xH","_links":{"self":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2089"}],"collection":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/comments?post=2089"}],"version-history":[{"count":5,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2089\/revisions"}],"predecessor-version":[{"id":2095,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/2089\/revisions\/2095"}],"wp:attachment":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/media?parent=2089"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/categories?post=2089"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/tags?post=2089"},{"taxonomy":"author","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/coauthors?post=2089"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}