{"id":1527,"date":"2016-02-24T15:27:27","date_gmt":"2016-02-24T15:27:27","guid":{"rendered":"http:\/\/www.nymagazin.com\/?p=1527"},"modified":"2016-02-24T15:32:57","modified_gmt":"2016-02-24T15:32:57","slug":"genoveva-preda-posibilul-dialog-imposibil","status":"publish","type":"post","link":"http:\/\/www.nymagazin.com\/en_US\/genoveva-preda-posibilul-dialog-imposibil\/","title":{"rendered":"GENOVEVA PREDA: POSIBILUL DIALOG IMPOSIBIL"},"content":{"rendered":"<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0\u00cen luna august 2013, domnul Marin Diaconu, cercet\u0103tor \u00een ale filosofiei, mi-a pus \u00een bra\u021be vreo 12 c\u0103r\u021bi scrise de Noica \u0219i mi-a spus: \u201eCite\u0219te, Genoveva! \u00cel vei iubi pe Noica, tot a\u0219a cum \u00eel iube\u0219ti pe Cioran, \u0219i, \u00een septembrie, vei fi invitat\u0103 la Simpozionul de la C\u00e2mpulung-Muscel &#8211; unde a avut domiciliul for\u021bat marele filosof\u201d. Eu, actri\u021b\u0103, la Simpozionul Noica!? \u00a0\u201eDe ce nu? Cite\u0219te, \u0219i apoi scrie&#8230; ce te-a fermecat la acest g\u00e2nditor&#8230; Cum ai f\u0103cut c\u00e2ndva cu Cioran.\u201d A\u0219a a pornit aventura mea cu Noica.<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0Cu c\u00e2\u021biva ani \u00een urm\u0103, \u00eei vizitasem locuin\u021ba de la P\u0103ltini\u0219. M-a frapat, \u021bin minte, simplitatea acelei mici \u00eenc\u0103peri. N-am uitat nici azi ochelarii care erau l\u0103sa\u021bi pe mas\u0103, ca o m\u0103rturie a clipelor tr\u0103ite de el acolo. Apoi, \u00eentr-un apus de soare, l\u00e2ng\u0103 o biseric\u0103 mic\u0103, mic\u0103, r\u0103t\u0103cit\u0103 \u00een p\u0103dure, am aprins o lum\u00e2nare l\u00e2ng\u0103 o cruce pe care scria: Constantin Noica.<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0\u00cen luna august am \u00eenceput s\u0103 citesc c\u0103r\u021bile lui, una dup\u0103 alta, zi \u0219i noapte, \u0219i, ca-ntr-un v\u00e2rtej, m-am l\u0103sat purtat\u0103 pe aripa unei aventuri spirituale care m\u0103 fermeca. Apoi, am a\u0219ternut pe h\u00e2rtie ce-am p\u0103strat \u00een mintea \u0219i \u00een inima mea, f\u0103c\u00e2nd, bine\u00een\u021beles, o selec\u021bie subiectiv\u0103 \u0219i incomplet\u0103 \u00een compara\u021bie cu opera at\u00e2t de vast\u0103 a filosofului. Noica declar\u0103 \u00eentr-una dintre c\u0103r\u021bi c\u0103 l-a citit 18 ani pe Kant \u0219i c\u0103, de atunci, s-a sim\u021bit confiscat pe via\u021b\u0103 de g\u00e2ndurile lui. Faptul acesta i-a dat o timpurie fals\u0103 maturitate. Iar seduc\u021bia muzicii avea s-o resimt\u0103 \u00eenc\u0103 din tinere\u021be, p\u00e2n\u0103 la sf\u00e2r\u0219itul vie\u021bii \u2013 ca un nem\u0103surat exerci\u021biu al tainelor ad\u00e2nci ale sufletului omenesc.<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">Din POEZIE a re\u021binut puritatea cuv\u00e2ntului, sim\u021bind c\u0103 un cuv\u00e2nt poate fi m\u00e2ng\u00e2iat ca \u0219i o fiin\u021b\u0103 vie! A venerat matematicile&#8230; A fost chiar fascinat de ele&#8230;\u00a0<\/span><span style=\"color: #000000\">\u00cei pl\u0103ceau \u00eenvin\u0219ii \u0219i sprijinea o ac\u021biune tocmai c\u00e2nd totul era compromis.\u00a0<\/span><span style=\"color: #000000\">Autorul m\u0103rturise\u0219te c\u0103 a benchetuit \u0219i jubilat cu Goethe \u0219i c\u0103 a dezb\u0103tut cu Schiller toate problemele culturii, c\u0103 a fraternizat cu Faust \u0219i mai ales cu Mefisto. Noica scria:<\/span><\/h3>\n<h3 style=\"text-align: justify\"><em><strong><span style=\"color: #000000\">\u201eTotul e trec\u0103tor \u00een via\u021b\u0103. Dar important e cum \u00ee\u021bi treci via\u021ba. Cu o \u00eemplinire sau f\u0103r\u0103? Prin ce numeri tu timpul? Prin zile? Prin nop\u021bi? Prin ore? Prin a\u0219tept\u0103ri sau prin lucr\u0103rile tale.<\/span><\/strong><\/em><\/h3>\n<h3 style=\"text-align: justify\"><em><strong><span style=\"color: #000000\">Nu exi\u0219ti dac\u0103 nu \u00ee\u021bi supravie\u021buie\u0219ti s\u0103dind un pom sau l\u0103s\u00e2nd un g\u00e2nd pe lumea asta. Totul e s\u0103 intri \u00een rezonan\u021b\u0103 cu o idee sau poate chiar cu un astru. Cel ce \u00een\u021belege asta are aripi!!!<\/span><\/strong><\/em><\/h3>\n<h3 style=\"text-align: justify\"><em><strong><span style=\"color: #000000\">\u00cen via\u021b\u0103 nu exist\u0103 potec\u0103, ci doar cel ce o face.<\/span><\/strong><\/em><\/h3>\n<h3 style=\"text-align: justify\"><em><strong><span style=\"color: #000000\">Nu uita, tot ce dore\u0219te inima se cump\u0103r\u0103 cu pre\u021bul sufletului \u0219i cel prea aproape de tine \u00ee\u021bi \u021bine doar umbr\u0103.<\/span><\/strong><\/em><\/h3>\n<h3 style=\"text-align: justify\"><em><strong><span style=\"color: #000000\">Oamenii te iart\u0103 chiar dac\u0103 faci o crim\u0103, dar nu te iart\u0103 dac\u0103 e\u0219ti fericit.<\/span><\/strong><\/em><\/h3>\n<h3 style=\"text-align: justify\"><em><strong><span style=\"color: #000000\">Cred c\u0103 mi-am g\u0103sit o \u00eencadrare \u00een lume: s\u0103 fiu incomod.\u201d<\/span><\/strong><\/em><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0Unii fac elogiul prieteniei, al\u021bii cred c\u0103 \u00eenva\u021b\u0103 mai mult de la du\u0219mani&#8230; Poate de aceea \u00een Biblie se spune s\u0103-\u021bi iube\u0219ti du\u0219manul. Poate chiar Dumnezeu a avut nevoie de r\u0103utatea celor de pe p\u0103m\u00e2nt, ca s\u0103 fie ve\u0219nic treaz, \u00een cer. Oamenii cei mai periculo\u0219i nu sunt cei care-\u021bi cer ceva, ci cei care-\u021bi dau ceva \u2013 dar te oblig\u0103 s\u0103 \u021bii minte \u0219i s\u0103 le fii \u00eendatorat toat\u0103 via\u021ba. Toate civiliza\u021biile mor! Chiar \u0219i Zeii. Nietzsche a spus c\u0103 \u0219i Dumnezeu a murit. Despre to\u021bi se spune, a\u0219adar, c\u0103 s-au stins.<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0\u201eNumai despre drac n-a \u00eendr\u0103znit nimeni s\u0103 spun\u0103 c\u0103 a pierit\u201d, scria plin de umor Noica.<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0Goethe spunea despre drac c\u0103, de\u0219i e netrebnic, e chiar necesar pe lumea asta. C\u0103ci f\u0103r\u0103 \u00eendr\u0103cire omul n-ar fi f\u0103cut nici matematici, nici art\u0103, nici \u0219tiin\u021b\u0103, nici filosofie. \u00cen orice rol pe care-l joci pe scen\u0103, \u00een aren\u0103 sau la tribun\u0103, dac\u0103 nu ai pe dracul \u00een tine, nu e nimic de capul t\u0103u. Dracul st\u0103 ascuns peste tot \u2013 e mereu la r\u0103scruci de drumuri. Uneori se preface \u00eenfr\u00e2nt sau chiar mort, dar deodat\u0103 se \u00eentoarce \u00een inima lucrurilor, c\u00e2nd nici nu te a\u0219tep\u021bi. B\u0103rbatul atribuie \u00eens\u0103 toate r\u0103ut\u0103\u021bile femeii. Ea, femeia, e mereu de vin\u0103 pentru c\u0103 \u00eenc\u0103 din Rai a ascultat de \u0218arpe. Dac\u0103 nu apleca urechea la vr\u0103jile dracului, \u0219i azi era cu Adam \u00een Paradis. Femeia a fost un subiect interesant \u0219i a jucat mereu un rol important \u00een istorie \u2013 pentru c\u0103 femeia poart\u0103 \u00een ea un \u00eentreg univers plin de mistere, dar \u0219i o mie de draci.<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0Fiecare ne tr\u0103im via\u021ba cum putem, dup\u0103 \u00eemprejur\u0103ri&#8230; dup\u0103 ursit\u0103&#8230; \u0218i abia la urm\u0103, c\u00e2nd nu mai putem schimba nimic, abia atunci pricepem c\u0103 totul a avut un rost, un t\u00e2lc \u0219i c\u0103 durerile prin care trecem nu ne sl\u0103besc, ci, din contr\u0103, sunt creatoare \u0219i ne \u00eent\u0103resc.<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0Cel ce \u00een\u021belege asta are aripi \u2013 filosofa Noica.<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">*<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0A\u021bi v\u0103zut undeva la munte un arbore mare c\u0103z\u00e2nd? Trosne\u0219te din toate \u00eencheieturile \u0219i face p\u0103durea s\u0103 vuiasc\u0103 de pr\u0103bu\u0219irea sa.<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0Dezastrul! Ce spectacol m\u0103re\u021b pentru om! \u00cen schimb, cre\u0219terea unei flori mici e at\u00e2t de delicat\u0103 \u00eenc\u00e2t n-o observ\u0103 aproape nimeni. Suntem ului\u021bi doar de catastrofe \u2013 \u0219i ne e at\u00e2t de greu s\u0103 surprindem cre\u0219terea aproape imperceptibil\u0103 a unui fir de iarb\u0103. Dac\u0103 m-ar \u00eentreba cineva \u2013 g\u00e2nde\u0219te Noica \u2013 de ce dau at\u00e2ta \u00eensemn\u0103tate unor cuvinte rom\u00e2ne\u0219ti, a\u0219 r\u0103spunde:<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\"> \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u201ePentru c\u0103 acestea sunt partea noastr\u0103 de cer&#8221;.<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0Un cuv\u00e2nt e un arbore care a prins r\u0103d\u0103cini \u00een huma \u021b\u0103rii \u0219i s-a hr\u0103nit cu ploile \u0219i razele soarelui. Cuv\u00e2ntul Dor \u00eel obseda pe filozof. Dorul are o aur\u0103 \u00een jurul lui. El reprezint\u0103 o nelini\u0219te \u00eempletit\u0103 cu o pl\u0103cere ciudat\u0103 \u0219i cu dep\u0103rt\u0103rile pline de visuri. Azi, lumea noastr\u0103 e una a plec\u0103rilor. C\u0103l\u0103torul parc\u0103 nu mai are picioare, ci ro\u021bi \u0219i aripi de metal care \u00eel poart\u0103 pretutindeni \u00een necunoscut. Doar Dorul reduce dep\u0103rt\u0103rile&#8230; \u0219i te face s\u0103 \u00eenduri insuportabilul a\u0219tept\u0103rii. Dorul poate pune \u00een mi\u0219care lumea dup\u0103 un principiu ad\u00e2nc, numai al Lui&#8230; niciodat\u0103 pe deplin dezv\u0103luit. Dorul e mister&#8230; e iubire&#8230; e magie&#8230; \u0219i nu se stinge niciodat\u0103&#8230; niciodat\u0103&#8230; niciodat\u0103&#8230;<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">*<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0Cam asta am \u00eenv\u0103\u021bat din c\u0103r\u021bile lui Noica&#8230; Lecturile pe care le voi face \u00een viitor vor dezv\u0103lui \u0219i alte taine \u0219i \u00eenv\u0103\u021b\u0103minte. Vreau s\u0103 mul\u021bumesc domnului Ioan Cr\u0103ciun, care m-a luat \u00eentr-o zi de m\u00e2n\u0103 ca s\u0103-mi arate locuin\u021ba \u00een care a tr\u0103it Noica \u00een perioada domiciliului for\u021bat la C\u00e2mpulung. M-a \u00eent\u00e2mpinat un pridvor unde at\u00e2rnau struguri care se coceau, iar c\u00e2nd am intrat \u00een camer\u0103 m-a frapat un \u0219ifonier cu o oglind\u0103 imens\u0103. C\u00e2nd mi-am v\u0103zut chipul, am tres\u0103rit, g\u00e2ndindu-m\u0103 de c\u00e2te ori \u0219i l-a v\u0103zut \u0219i Noica \u00een aceea\u0219i oglind\u0103, ca ni\u0219te fotografii care au disp\u0103rut pe aripa timpului. M-am plimbat apoi prin gr\u0103dina cu meri, g\u00e2ndind c\u0103 pe acolo a p\u0103\u0219it \u0219i Noica privind cerul sau ascult\u00e2nd ploaia&#8230; sau poate g\u00e2ndind sau chiar scriind unele din paginile c\u0103r\u021bilor despre care v-am vorbit azi dumneavoastr\u0103. \u0218i pentru c\u0103 acum pot spune c\u0103 am dou\u0103 mari iubiri, DOI MARI G\u00c2NDITORI, vreau s\u0103 \u00eenchei cu ce i-a spus Noica lui Cioran: \u00a0<\/span><\/h3>\n<h3 style=\"text-align: justify\"><span style=\"color: #000000\">\u00a0 \u00a0 \u00a0\u201eEmil, unii zic despre tine c\u0103 nu e\u0219ti sincer, c\u0103 min\u021bi atunci c\u00e2nd scrii. Eu te rog, minte \u00een continuare, pentru c\u0103 te cred!&#8221;<\/span><\/h3>\n","protected":false},"excerpt":{"rendered":"<p>\u00a0 \u00a0 \u00a0\u00cen luna august 2013, domnul Marin Diaconu, cercet\u0103tor \u00een ale filosofiei, mi-a pus \u00een bra\u021be vreo 12 c\u0103r\u021bi scrise de <\/p>\n","protected":false},"author":2,"featured_media":1535,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[42],"tags":[54],"coauthors":[75],"jetpack_featured_media_url":"http:\/\/www.nymagazin.com\/wp-content\/uploads\/2016\/02\/geno1.jpg","jetpack_sharing_enabled":true,"jetpack_shortlink":"https:\/\/wp.me\/p4rsGx-oD","_links":{"self":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/1527"}],"collection":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/comments?post=1527"}],"version-history":[{"count":7,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/1527\/revisions"}],"predecessor-version":[{"id":1536,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/posts\/1527\/revisions\/1536"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/media\/1535"}],"wp:attachment":[{"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/media?parent=1527"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/categories?post=1527"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/tags?post=1527"},{"taxonomy":"author","embeddable":true,"href":"http:\/\/www.nymagazin.com\/en_US\/wp-json\/wp\/v2\/coauthors?post=1527"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}